#01 2018-04-04 Digitalpix58
ABOUT_TAB_BUILD;Versão
ABOUT_TAB_CREDITS;Créditos
ABOUT_TAB_LICENSE;Licença
ABOUT_TAB_RELEASENOTES;Nota de Lançamento
ABOUT_TAB_SPLASH;Splash
ADJUSTER_RESET_TO_DEFAULT;Restaurar ao padrão
BATCHQUEUE_AUTOSTART;Início automático
BATCHQUEUE_AUTOSTARTHINT;Começa a processar automaticamente um novo trabalho.
BATCHQUEUE_DESTFILENAME;Caminho e nome do arquivo
BATCHQUEUE_STARTSTOPHINT;Inicia ou para o processamento das imagens na fila.\n\nAtalho: Ctrl+s
BATCH_PROCESSING;Processamento em lote
CURVEEDITOR_AXIS_IN;I:
CURVEEDITOR_AXIS_LEFT_TAN;LT:
CURVEEDITOR_AXIS_OUT;O:
CURVEEDITOR_AXIS_RIGHT_TAN;RT:
CURVEEDITOR_CURVE;Curva
CURVEEDITOR_CURVES;Curvas
CURVEEDITOR_CUSTOM;Personalizados
CURVEEDITOR_DARKS;Escuros
CURVEEDITOR_EDITPOINT_HINT;Ativar edição dos valores de entrada/saída do nó.\n\nClique com o btão direito do mouse num nó para selecioná-lo.\nClique com o botão direito do mouse no espaço vazio para desmarcar o nó.
CURVEEDITOR_HIGHLIGHTS;Destaques
CURVEEDITOR_LIGHTS;Luzes
CURVEEDITOR_LINEAR;Linear
CURVEEDITOR_LOADDLGLABEL;Carregar curva...
CURVEEDITOR_MINMAXCPOINTS;Equalizador
CURVEEDITOR_NURBS;Caixa de controle
CURVEEDITOR_PARAMETRIC;Paramétrico
CURVEEDITOR_SAVEDLGLABEL;Salvar curva...
CURVEEDITOR_SHADOWS;Sombras
CURVEEDITOR_TOOLTIPCOPY;Cópia da curva atual para a área de transfrência.
CURVEEDITOR_TOOLTIPLINEAR;Restaurar curva para linear.
CURVEEDITOR_TOOLTIPLOAD;Carregue uma curva do arquivo.
CURVEEDITOR_TOOLTIPPASTE;Cole a curva da área de transferência.
CURVEEDITOR_TOOLTIPSAVE;Salvar curva atual.
CURVEEDITOR_TYPE;Tipo:
DIRBROWSER_FOLDERS;Pastas
DONT_SHOW_AGAIN;Não mostre esta mensagem novamente.
DYNPROFILEEDITOR_DELETE;Excluir
DYNPROFILEEDITOR_EDIT;Editar
DYNPROFILEEDITOR_EDIT_RULE;Editar Regra de Perfil Dinâmico
DYNPROFILEEDITOR_ENTRY_TOOLTIP;A correspondência é insensível a maiúsculas e minúsculas.\nUse o prefixo "re:" para inserir\na expressão regular.
DYNPROFILEEDITOR_MOVE_DOWN;Mover para Baixo
DYNPROFILEEDITOR_MOVE_UP;Mover para Cima
DYNPROFILEEDITOR_NEW;Novo
DYNPROFILEEDITOR_NEW_RULE;Nva Regra de Perfil Dinâmico
DYNPROFILEEDITOR_PROFILE;Processando Perfil
EDITWINDOW_TITLE;Edição de Imagem
EDIT_OBJECT_TOOLTIP;Exibe um widget na janela de visualização que permite ajustar essa ferramenta.
EDIT_PIPETTE_TOOLTIP;Para adicionar um ponto de ajuste à curva, segure a tecla Ctrl enquanto clica com o botão esquerdo no ponto desejado na visualização da imagem.\nPara ajustar o ponto, Mantenha pressionada a tecla Ctrl enquanto clica com o botão esquerdo na área correspondente na visualização, então solte Ctrl (amenos que deseje um fino controle) e enquanto ainda mantém pressionado o botão esquerdo do mouse, mova o mouse para cima ou para baixo para mover esse ponto para cima ou para baixo na curva.
EXIFFILTER_APERTURE;Abertura
EXIFFILTER_CAMERA;Câmera
EXIFFILTER_EXPOSURECOMPENSATION;Compensação de exposição (EV)
EXIFFILTER_FILETYPE;Tipo de arquivo
EXIFFILTER_FOCALLEN;Comprimento focal
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Lente
EXIFFILTER_METADATAFILTER;Ativar filtros de metadados
EXIFFILTER_SHUTTER;Obturador
EXIFPANEL_ADDEDIT;Adicionar/Editar
EXIFPANEL_ADDEDITHINT;Adicionar nova tag ou editar tag.
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Insira valor
EXIFPANEL_ADDTAGDLG_SELECTTAG;Selecionar tag
EXIFPANEL_ADDTAGDLG_TITLE;Adicionar/Editar Tag
EXIFPANEL_KEEP;Manter
EXIFPANEL_KEEPHINT;Mantenha as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_REMOVE;Remover
EXIFPANEL_REMOVEHINT;Remova as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_RESET;Restaurar
EXIFPANEL_RESETALL;Restaurar Tudo
EXIFPANEL_RESETALLHINT;Restaurar todas as tags aos seus valores originais.
EXIFPANEL_RESETHINT;Restaurar as tags selecionadas aos seus valores originais.
EXIFPANEL_SHOWALL;Mostrar tudo
EXIFPANEL_SUBDIRECTORY;Subdiretório
EXPORT_BYPASS;Etapas de processamento para ignorar
EXPORT_BYPASS_ALL;Selecionar / Desmarcar Tudo
EXPORT_BYPASS_DEFRINGE;Ignorar Defringe
EXPORT_BYPASS_DIRPYRDENOISE;Ignorar Redução de Ruído
EXPORT_BYPASS_DIRPYREQUALIZER;Ignorar Contraste por Níveis de Detalhe
EXPORT_BYPASS_EQUALIZER;Ignorar Níveis Wavelet
EXPORT_BYPASS_RAW_CA;Ignorar [raw] Correção de Aberração Cromática
EXPORT_BYPASS_RAW_CCSTEPS;Ignorar [raw] Supressão de Cor Falsa
EXPORT_BYPASS_RAW_DCB_ENHANCE;Ignorar [raw] DCB Etapas de Aprimoramento
EXPORT_BYPASS_RAW_DCB_ITERATIONS;Ignorar [raw] DCB Iterações
EXPORT_BYPASS_RAW_DF;Ignorar [raw] Quadro Escuro
EXPORT_BYPASS_RAW_FF;Ignorar [raw] Flat-Field
EXPORT_BYPASS_RAW_GREENTHRESH;Ignorar [raw] Equilíbrio Verde
EXPORT_BYPASS_RAW_LINENOISE;Ignorar [raw] Filtro de Ruído de Linha
EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Ignorar [raw] LMMSE Etapas de Aprimoramento
EXPORT_BYPASS_SHARPENEDGE;Ignorar Afiação de Borda
EXPORT_BYPASS_SHARPENING;Ignorar Nitidez
EXPORT_BYPASS_SHARPENMICRO;Ignorar Microcontraste
EXPORT_BYPASS_SH_HQ;Ignorar Sombras/Realces da Máscara de Nitidez
EXPORT_FASTEXPORTOPTIONS;Opções de Exportação Rápida
EXPORT_INSTRUCTIONS;As opções de exportação rápida fornecem substituições para ignorar tempo e recursos consumidos no desenvolvimento de configurações e na execução do processamento de filas. Este método é recomendado para geração rápida de imagens de baixa resolução, quando a velocidade é prioridade ou quando a saída redimensionada é desejada para uma ou mais imagens sem fazer modificações nos parâmetros de desenvolvimento salvos.
EXPORT_MAXHEIGHT;Altura máxima:
EXPORT_MAXWIDTH;Largura máxima:
EXPORT_PIPELINE;Processamento pipeline
EXPORT_PUTTOQUEUEFAST; Coloque na fila para exportação rápida
EXPORT_RAW_DMETHOD;Método Demosaico
EXPORT_USE_FAST_PIPELINE;Dedicado (processamento completo na imagem redimensionada)
EXPORT_USE_FAST_PIPELINE_TIP;Use um processamento dedicado pipeline para imagens no modo de Exportação Rápida, que troca velocidade por qualidade. O redimensionamento da imagem é feito o mais cedo possível, em vez de fazê-lo no final, como no pipeline normal. O aumento de velocidade pode ser significativo, mas esteja preparado para ver artefatos e uma degradação geral da qualidade de saída.
EXPORT_USE_NORMAL_PIPELINE;Padrão (ignorar algumas etapas, redimensionar no final)
EXTPROGTARGET_1;raw
EXTPROGTARGET_2;processado em fila
FILEBROWSER_ADDDELTEMPLATE;Adicionar/Excluir modelos...
FILEBROWSER_APPLYPROFILE;Aplicar
FILEBROWSER_APPLYPROFILE_PARTIAL;Aplicar - parcial
FILEBROWSER_AUTODARKFRAME;Quadro escuro automático
FILEBROWSER_AUTOFLATFIELD;Flat-field automático
FILEBROWSER_BROWSEPATHBUTTONHINT;Clique para navegar até o caminho escolhido.
FILEBROWSER_BROWSEPATHHINT;Digite um caminho para navegar até.\n\nAtalhos do teclado:\nCtrl-o para focar na caixa de texto do caminho.\nEnter / Ctrl-Enter para navegar lá;\nEsc para limpar as alterações.\nShift-Esc para remover o foco.\n\nAtalhos do caminho:\n~ - diretório home do usuário.\n! - diretório de fotos do usuário
FILEBROWSER_CACHE;Cache
FILEBROWSER_CACHECLEARFROMFULL;Limpeza do cache - completa
FILEBROWSER_CACHECLEARFROMPARTIAL;Limpeza do cache - partcial
FILEBROWSER_CLEARPROFILE;Perfil de limpeza
FILEBROWSER_COLORLABEL_TOOLTIP;Etiqueta de cor.\n\nUse o menu suspenso ou atalhos:\nShift-Ctrl-0 Sem Cor\nShift-Ctrl-1 Vermelho\nShift-Ctrl-2 Amarelo\nShift-Ctrl-3 Verde\nShift-Ctrl-4 Azul\nShift-Ctrl-5 Roxo
FILEBROWSER_COPYPROFILE;Copiar perfil
FILEBROWSER_CURRENT_NAME;Nome atual:
FILEBROWSER_DARKFRAME;Quadro escuro
FILEBROWSER_DELETEDLGLABEL;Confirmação de exclusão de arquivo
FILEBROWSER_DELETEDLGMSG;Tens certeza de que desejas excluir os %1 arquivos selecionados?
FILEBROWSER_DELETEDLGMSGINCLPROC;Tens certeza de que desejas excluir os %1 arquivos selecionados incluindo uma versão processada em fila?
FILEBROWSER_EMPTYTRASH;Lixeira vazia
FILEBROWSER_EMPTYTRASHHINT;Excluir permanentemente os arquivos da lixeira.
FILEBROWSER_EXTPROGMENU;Abrir com
FILEBROWSER_FLATFIELD;Flat-Field
FILEBROWSER_MOVETODARKFDIR;Mover para o diretório de quadros escuros
FILEBROWSER_MOVETOFLATFIELDDIR;Mover para o diretório flat-fields
FILEBROWSER_NEW_NAME;Novo nome:
FILEBROWSER_OPENDEFAULTVIEWER;Visualizador padrão do Windows (processado em fila)
FILEBROWSER_PARTIALPASTEPROFILE;Colar - parcial
FILEBROWSER_PASTEPROFILE;Colar
FILEBROWSER_POPUPCANCELJOB;Cancelar trabalho
FILEBROWSER_POPUPCOLORLABEL;Etiqueta de Cor
FILEBROWSER_POPUPCOLORLABEL0;Etiqueta: Nenhuma
FILEBROWSER_POPUPCOLORLABEL1;Etiqueta: Vermelha
FILEBROWSER_POPUPCOLORLABEL2;Etiqueta: Amarela
FILEBROWSER_POPUPCOLORLABEL3;Etiqueta: Verde
FILEBROWSER_POPUPCOLORLABEL4;Etiqueta: Azul
FILEBROWSER_POPUPCOLORLABEL5;Etiqueta: Roxa
FILEBROWSER_POPUPCOPYTO;Copiar para...
FILEBROWSER_POPUPFILEOPERATIONS;Operações de arquivo
FILEBROWSER_POPUPMOVEEND;Mover para o final da fila
FILEBROWSER_POPUPMOVEHEAD;Mover para a cabeça da fila
FILEBROWSER_POPUPMOVETO;Mover para...
FILEBROWSER_POPUPOPEN;Abrir
FILEBROWSER_POPUPOPENINEDITOR;Abrir no Editor
FILEBROWSER_POPUPPROCESS;Coloque na fila
FILEBROWSER_POPUPPROCESSFAST;Coloque na fila (Exportação rápida)
FILEBROWSER_POPUPPROFILEOPERATIONS;Processando operações de perfil
FILEBROWSER_POPUPRANK;Classificar
FILEBROWSER_POPUPRANK0;Desclassificar
FILEBROWSER_POPUPRANK1;Rank 1 *
FILEBROWSER_POPUPRANK2;Rank 2 **
FILEBROWSER_POPUPRANK3;Rank 3 ***
FILEBROWSER_POPUPRANK4;Rank 4 ****
FILEBROWSER_POPUPRANK5;Rank 5 *****
FILEBROWSER_POPUPREMOVE;Excluir
FILEBROWSER_POPUPREMOVEINCLPROC;Excluir com saída da fila
FILEBROWSER_POPUPRENAME;Renomear
FILEBROWSER_POPUPSELECTALL;Selecionar tudo
FILEBROWSER_POPUPTRASH;Mover para a lixeira
FILEBROWSER_POPUPUNRANK;Desclassificar
FILEBROWSER_POPUPUNTRASH;Remover da lixeira
FILEBROWSER_QUERYBUTTONHINT;Limpar a consulta Localizar
FILEBROWSER_QUERYHINT;Digite nomes de arquivos para procurar. Suporta nomes de arquivos parciais. Separe os termos de pesquisa usando vírgulas, por exemplo.\n1001,1004,1199\n\nExcluir termos de pesquisa prefixando-os com !=\ne.g.\n!=1001,1004,1199\n\nAtalhos:\nCtrl-f - foque a caixa Localizar,\nEnter - pesquisa,\nEsc - Limpe a caixa Localizar,\nShift-Esc - desfoque a caixa Localizar.
FILEBROWSER_QUERYLABEL; Localizar:
FILEBROWSER_RANK1_TOOLTIP;Rank 1 *\nAtalho: Shift-1
FILEBROWSER_RANK2_TOOLTIP;Rank 2 *\nAtalho: Shift-2
FILEBROWSER_RANK3_TOOLTIP;Rank 3 *\nAtalho: Shift-3
FILEBROWSER_RANK4_TOOLTIP;Rank 4 *\nAtalho: Shift-4
FILEBROWSER_RANK5_TOOLTIP;Rank 5 *\nAtalho: Shift-5
FILEBROWSER_RENAMEDLGLABEL;Renomear arquivo
FILEBROWSER_RESETDEFAULTPROFILE;Restaurar para o padrão
FILEBROWSER_SELECTDARKFRAME;Selecionar quadro escuro...
FILEBROWSER_SELECTFLATFIELD;Selecionar flat-field...
FILEBROWSER_SHOWCOLORLABEL1HINT;Mostrar imagens marcadas com Vermelho.\nAtalho: Alt-1
FILEBROWSER_SHOWCOLORLABEL2HINT;Mostrar imagens marcadas com Amarelo.\nAtalho: Alt-2
FILEBROWSER_SHOWCOLORLABEL3HINT;Mostrar imagens marcadas com Verde.\nAtalho: Alt-3
FILEBROWSER_SHOWCOLORLABEL4HINT;Mostrar imagens marcadas com Azul.\nAtalho: Alt-4
FILEBROWSER_SHOWCOLORLABEL5HINT;Mostrar imagens marcadas com Roxo.\nAtalho: Alt-5
FILEBROWSER_SHOWDIRHINT;Limpar todos os filtros.\nAtalho: d
FILEBROWSER_SHOWEDITEDHINT;Mostrar imagens editadas.\nAtalho: 7
FILEBROWSER_SHOWEDITEDNOTHINT;Mostrar imagens não editadas.\nAtalho: 6
FILEBROWSER_SHOWEXIFINFO;Mostrar informações Exif.\n\nAtalhos:\ni - Modo de Guias de Editores Mútiplos,\nAlt-i - Modo de Guia de Editor Único.
FILEBROWSER_SHOWNOTTRASHHINT;Mostre somente imagens não excluídas.
FILEBROWSER_SHOWORIGINALHINT;Mostre somente imagens originais.\n\nQuando existem várias imagens com o mesmo nome de arquivo, mas extensões diferentes, a única considerada original é aquela cuja extensão está mais próxima da parte superior da lista de extensões analisadas em Preferências > Navegador de Arquivos > Extenções Analisadas.
FILEBROWSER_SHOWRANK1HINT;Mostrar imagens classificadas como 1-estrela.\nAtalho: 1
FILEBROWSER_SHOWRANK2HINT;Mostrar imagens classificadas como 2-estrelas.\nAtalho: 2
FILEBROWSER_SHOWRANK3HINT;Mostrar imagens classificadas como 3-estrelas.\nAtalho: 3
FILEBROWSER_SHOWRANK4HINT;Mostrar imagens classificadas como 4-estrelas.\nAtalho: 4
FILEBROWSER_SHOWRANK5HINT;Mostrar imagens classificadas como 5-estrelas.\nAtalho: 5
FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostrar imagens salvas.\nAtalho: Alt-7
FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostrar imagens não salvas.\nAtalho: Alt-6
FILEBROWSER_SHOWTRASHHINT;Mostrar conteúdo da lixeira.\nAtalho: Ctrl-t
FILEBROWSER_SHOWUNCOLORHINT;Mostrar imagens sem etiqueta colorida.\nAtalho: Alt-0
FILEBROWSER_SHOWUNRANKHINT;Mostrar imagens desmarcadas.\nAtalho: 0
FILEBROWSER_THUMBSIZE;Tamanho da miniatura
FILEBROWSER_UNRANK_TOOLTIP;Desmarcadas.\nAtalho: Shift-0
FILEBROWSER_ZOOMINHINT;Aumentar tamanho da miniatura.\n\nAtalhos:\n+ - Modo de Guias de Editores Múltiplos,\nAlt-+ - Modo de Guia de Editor Único.
FILEBROWSER_ZOOMOUTHINT;Diminuir o tamanho da miniatura.\n\nAtalhos:\n- - Modo de Guias de Editores Múltiplos,\nAlt-- - Modo de Guia de Editor Único.
FILECHOOSER_FILTER_ANY;Todos os arquivos
FILECHOOSER_FILTER_COLPROF;Perfis de Cores
FILECHOOSER_FILTER_CURVE;Arquivos de curvas
FILECHOOSER_FILTER_LCP;Perfis de correção de lentes
FILECHOOSER_FILTER_PP;Processando perfis
FILECHOOSER_FILTER_SAME;Mesmo formato da foto atual
FILECHOOSER_FILTER_TIFF;Arquivos TIFF
GENERAL_ABOUT;Sobre
GENERAL_AFTER;Depois de
GENERAL_APPLY;Aplicar
GENERAL_ASIMAGE;Como Imagem
GENERAL_AUTO;Automático
GENERAL_BEFORE;Antes
GENERAL_CANCEL;Cancelar
GENERAL_CLOSE;Fechar
GENERAL_DISABLE;Desabilitar
GENERAL_DISABLED;Desabilitado
GENERAL_ENABLE;Habilitar
GENERAL_ENABLED;Habilitado
GENERAL_FILE;Arquivo
GENERAL_LANDSCAPE;Paisagem
GENERAL_NA;n/a
GENERAL_NO;Não
GENERAL_NONE;None
GENERAL_OK;OK
GENERAL_OPEN;Abrir
GENERAL_PORTRAIT;Retrato
GENERAL_SAVE;Salvar
GENERAL_SLIDER;Barra de volume
GENERAL_UNCHANGED;(Inalterado)
GENERAL_WARNING;Atenção
GIMP_PLUGIN_INFO;Bem-vindo ao plugin RawTherapee do GIMP!\nDepois de terminar de editar, feche a janela principal do RawTherapee e a imagem será importada automaticamente no GIMP.
HISTOGRAM_TOOLTIP_B;Mostrar/Ocultar histograma azul.
HISTOGRAM_TOOLTIP_BAR;Mostrar/ocultar barra do indicador RGB.\nClique com o botão direito do mouse na visualização da imagem para congelar/descongelar.
HISTOGRAM_TOOLTIP_CHRO;Mostrar/Ocultar histograma de cromaticidade.
HISTOGRAM_TOOLTIP_FULL;Alternar histograma completo (desligado) ou dimensionado (ligado).
HISTOGRAM_TOOLTIP_G;Mostrar/Ocultar histograma verde.
HISTOGRAM_TOOLTIP_L;Mostrar/Ocultar histograma de luminância CIELab.
HISTOGRAM_TOOLTIP_R;Mostrar/Ocultar histograma vermelho.
HISTOGRAM_TOOLTIP_RAW;Mostrar/Ocultar histograma raw.
HISTORY_CHANGED;Alterado
HISTORY_CUSTOMCURVE;Curva personalizada
HISTORY_FROMCLIPBOARD;Da área de transferência
HISTORY_LABEL;Histórico
HISTORY_MSG_1;Foto Carregada
HISTORY_MSG_2;PP3 Perfil carregado
HISTORY_MSG_3;PP3 Perfil alterado
HISTORY_MSG_4;Histórico de navegação
HISTORY_MSG_5;Exposição - Luminosidade
HISTORY_MSG_6;Exposição - Contraste
HISTORY_MSG_7;Exposição - Preto
HISTORY_MSG_8;Exposição - Compensação
HISTORY_MSG_9;Exposição - Compressão do realce
HISTORY_MSG_10;Exposição - Compressão de sombra
HISTORY_MSG_11;Exposição - Curva de tom 1
HISTORY_MSG_12;Exposição - Níveis automáticos
HISTORY_MSG_13;Exposição - Clip
HISTORY_MSG_14;L*a*b* - Luminosidade
HISTORY_MSG_15;L*a*b* - Contraste
HISTORY_MSG_16;-
HISTORY_MSG_17;-
HISTORY_MSG_18;-
HISTORY_MSG_19;L*a*b* - L* curva
HISTORY_MSG_20;Nitidez
HISTORY_MSG_21;USM - Raio
HISTORY_MSG_22;USM - Montante
HISTORY_MSG_23;USM - Limiar
HISTORY_MSG_24;USM - Nitidez nas bordas
HISTORY_MSG_25;USM - Raio de detecção de borda
HISTORY_MSG_26;USM - Tolerância de borda
HISTORY_MSG_27;USM - Controle de halo
HISTORY_MSG_28;USM - Montante de controle de halo
HISTORY_MSG_29;Nitidez - Método
HISTORY_MSG_30;RLD - Raio
HISTORY_MSG_31;RLD - Montante
HISTORY_MSG_32;RLD - Damping
HISTORY_MSG_33;RLD - Iterações
HISTORY_MSG_34;Lente Correção - Distorção
HISTORY_MSG_35;Lente Correção - Vinhetas
HISTORY_MSG_36;Lente Correção - CA
HISTORY_MSG_37;Exposição - Níveis automáticos
HISTORY_MSG_38;Balanço de Branco - Método
HISTORY_MSG_39;Balanço de Branco - Temperatura
HISTORY_MSG_40;Balanço de Branco - Matiz
HISTORY_MSG_41;Exposição - Modo de curva de tom 1
HISTORY_MSG_42;Exposição - Curva de tom 2
HISTORY_MSG_43;Exposição - Modo de curva de tom 2
HISTORY_MSG_44;Raio de remoção de ruídos da Lum.
HISTORY_MSG_45;Tolerância de bordas da remoção de ruídos da Lum.
HISTORY_MSG_46;Remoção de ruídos da cor
HISTORY_MSG_47;Misture os realces ICC com a matriz
HISTORY_MSG_48;DCP - Curva de tom
HISTORY_MSG_49;DCP illuminante
HISTORY_MSG_50;Sombras/Realces
HISTORY_MSG_51;S/H - Realces
HISTORY_MSG_52;S/H - Sombras
HISTORY_MSG_53;S/H - Largura tonal do realces
HISTORY_MSG_54;S/H - Largura tonal das sombras
HISTORY_MSG_55;S/H - Contraste local
HISTORY_MSG_56;S/H - Raio
HISTORY_MSG_57;Rotação grosseira
HISTORY_MSG_58;Giro Horizontal
HISTORY_MSG_59;Giro Vertical
HISTORY_MSG_60;Rotação
HISTORY_MSG_61;Preenchimento automático
HISTORY_MSG_62;Correção de distorção
HISTORY_MSG_63;Instantâneo selecionado
HISTORY_MSG_64;Cortar
HISTORY_MSG_65;Correção CA
HISTORY_MSG_66;Exposição - Reconstrução do realce
HISTORY_MSG_67;Exposição - Montante HLR
HISTORY_MSG_68;Exposição - Método HLR
HISTORY_MSG_69;Espaço de cor de trabalho
HISTORY_MSG_70;Espaço de cor de saída
HISTORY_MSG_71;Espaço de cor de entrada
HISTORY_MSG_72;VC - Montante
HISTORY_MSG_73;Misturador de canais
HISTORY_MSG_74;Redimensionar - Escala
HISTORY_MSG_75;Redimensionar - Método
HISTORY_MSG_76;Metadados Exif
HISTORY_MSG_77;Metadados IPTC
HISTORY_MSG_78;-
HISTORY_MSG_79;Redimensionar - Largura
HISTORY_MSG_80;Redimensionar - Altura
HISTORY_MSG_81;Redimensionar
HISTORY_MSG_82;Perfil alterado
HISTORY_MSG_83;S/H - Máscara de nitidez
HISTORY_MSG_84;Correção de perspectiva
HISTORY_MSG_85;Correção de Lente - Arquivo LCP
HISTORY_MSG_86;RGB Curvas - Modo de lLuminosidade
HISTORY_MSG_87;Redução de Ruído por Impulso
HISTORY_MSG_88;Limiar de Impulso NR
HISTORY_MSG_89;Redução de Ruído
HISTORY_MSG_90;NR - Luminância
HISTORY_MSG_91;NR - Crominância mestre
HISTORY_MSG_92;NR - Gamma
HISTORY_MSG_93;CbDL - Valor
HISTORY_MSG_94;Contraste por Níveis de Detalhes
HISTORY_MSG_95;L*a*b* - Cromaticidade
HISTORY_MSG_96;L*a*b* - a* curva
HISTORY_MSG_97;L*a*b* - b* curva
HISTORY_MSG_98;Método Demosaicing
HISTORY_MSG_99;Filtro Hot pixel
HISTORY_MSG_100;Exposição - Saturação
HISTORY_MSG_101;HSV - Matiz
HISTORY_MSG_102;HSV - Saturação
HISTORY_MSG_103;HSV - Valor
HISTORY_MSG_104;HSV Equalizador
HISTORY_MSG_105;Defringe
HISTORY_MSG_106;Defringe - Raio
HISTORY_MSG_107;Defringe - Limiar
HISTORY_MSG_108;Exposição - Limiar HLC
HISTORY_MSG_109;Redimensionar - Caixa delimitadora
HISTORY_MSG_110;Redimensionar - Aplica-se a
HISTORY_MSG_111;L*a*b* - Evite mudança de cor
HISTORY_MSG_112;--sem uso--
HISTORY_MSG_113;L*a*b* - Vermelho/película prot.
HISTORY_MSG_114;DCB iterações
HISTORY_MSG_115;Supressão de cores falsas
HISTORY_MSG_116;DCB aprimoramento
HISTORY_MSG_117;Raw CA correção - Vermelho
HISTORY_MSG_118;Raw CA correção - Azul
HISTORY_MSG_119;Filtro de ruído de linha
HISTORY_MSG_120;Equilíbrio Verde
HISTORY_MSG_121;Raw CA Correção - Automática
HISTORY_MSG_122;Quadro Escuro - Seleção Automática
HISTORY_MSG_123;Quadro Escuro - Arquivo
HISTORY_MSG_124;Correção de ponto branco
HISTORY_MSG_125;Preservação da nitidez
HISTORY_MSG_126;Flat-Field - Arquivo
HISTORY_MSG_127;Flat-Field - Seleção automática
HISTORY_MSG_128;Flat-Field - Raio de desfoque
HISTORY_MSG_129;Flat-Field - Tipo de desfoque
HISTORY_MSG_130;Correção automática de distorção
HISTORY_MSG_131;NR - Luma
HISTORY_MSG_132;NR - Croma
HISTORY_MSG_133;Gamma de saída
HISTORY_MSG_134;Gamma livre
HISTORY_MSG_135;Gamma livre
HISTORY_MSG_136;Declive gamma livre
HISTORY_MSG_137;Nível preto - Verde 1
HISTORY_MSG_138;Nível preto - Vermelho
HISTORY_MSG_139;Nível preto - Azul
HISTORY_MSG_140;Nível preto - Verde 2
HISTORY_MSG_141;Nível preto - Links verdes
HISTORY_MSG_142;ES - Iterações
HISTORY_MSG_143;ES - Quantidade
HISTORY_MSG_144;Microcontraste - Quantidade
HISTORY_MSG_145;Microcontraste - Uniformidade
HISTORY_MSG_146;Nitidez de borda
HISTORY_MSG_147;ES - Apenas luminância
HISTORY_MSG_148;Microcontraste
HISTORY_MSG_149;Microcontraste - matriz 3×3
HISTORY_MSG_150;Artefato pós-demosaico/redução de ruído
HISTORY_MSG_151;Vibração
HISTORY_MSG_152;Vibração - Tons pastel
HISTORY_MSG_153;Vibração - Tons saturados
HISTORY_MSG_154;Vibração - Protege os tons da película
HISTORY_MSG_155;Vibração - Evita mudança de cor
HISTORY_MSG_156;Vibração - Link pastel/saturado
HISTORY_MSG_157;Vibração - Limiar P/S
HISTORY_MSG_158;TM - Robustez
HISTORY_MSG_159;TM - Borda parando
HISTORY_MSG_160;TM - Escala
HISTORY_MSG_161;TM - Reponderar iteração
HISTORY_MSG_162;Mapeamento de Tom
HISTORY_MSG_163;RGB Curvas - Vermelho
HISTORY_MSG_164;RGB Curvas - Verde
HISTORY_MSG_165;RGB Curvas - Azul
HISTORY_MSG_166;Exposição - Restaurar
HISTORY_MSG_167;Método Demosaicing
HISTORY_MSG_168;L*a*b* - Curva CC
HISTORY_MSG_169;L*a*b* - Curva CH
HISTORY_MSG_170;Vibração - Curva HH
HISTORY_MSG_171;L*a*b* - Curva LC
HISTORY_MSG_172;L*a*b* - Restringir LC
HISTORY_MSG_173;NR - Recuperação de detalhes
HISTORY_MSG_174;CIECAM02
HISTORY_MSG_175;CAM02 - Adaptação CAT02
HISTORY_MSG_176;CAM02 - Visualizando surround
HISTORY_MSG_177;CAM02 - Luminosidade de cena
HISTORY_MSG_178;CAM02 - Visualizando luminosidade
HISTORY_MSG_179;CAM02 - Modelo de ponto branco
HISTORY_MSG_180;CAM02 - Luminosidade (J)
HISTORY_MSG_181;CAM02 - Croma (C)
HISTORY_MSG_182;CAM02 - Automático CAT02
HISTORY_MSG_183;CAM02 - Contraste (J)
HISTORY_MSG_184;CAM02 - Cena surround
HISTORY_MSG_185;CAM02 - Controle Gamut
HISTORY_MSG_186;CAM02 - Algorítimo
HISTORY_MSG_187;CAM02 - Vermelho/película prot.
HISTORY_MSG_188;CAM02 - Brilho (Q)
HISTORY_MSG_189;CAM02 - Contraste (Q)
HISTORY_MSG_190;CAM02 - Saturação (S)
HISTORY_MSG_191;CAM02 - Colorido (M)
HISTORY_MSG_192;CAM02 - Matiz (h)
HISTORY_MSG_193;CAM02 - Curva de tom 1
HISTORY_MSG_194;CAM02 - Curva de tom 2
HISTORY_MSG_195;CAM02 - Curva de tom 1
HISTORY_MSG_196;CAM02 - Curva de tom 2
HISTORY_MSG_197;CAM02 - Curva de cor
HISTORY_MSG_198;CAM02 - Curva de cor
HISTORY_MSG_199;CAM02 - Histogramas de saída
HISTORY_MSG_200;CAM02 - Mapeamento de tom
HISTORY_MSG_201;NR - Crominância - R&G
HISTORY_MSG_202;NR - Crominância - B&Y
HISTORY_MSG_203;NR - Espaço colorido
HISTORY_MSG_204;LMMSE etapas de aprimoramento
HISTORY_MSG_205;CAM02 - Filtro de pixel Hot/bad
HISTORY_MSG_206;CAT02 - Luminosidade de cena automático
HISTORY_MSG_207;Defringe - Curva de matiz
HISTORY_MSG_208;Equalizador WB - B/R
HISTORY_MSG_210;GF - Ângulo
HISTORY_MSG_211;Filtro Graduado
HISTORY_MSG_212;VF - Robustez
HISTORY_MSG_213;Filtro de Vinheta
HISTORY_MSG_214;Preto-e-Branco
HISTORY_MSG_215;P&B - CM - Vermelho
HISTORY_MSG_216;P&B - CM - Verde
HISTORY_MSG_217;P&B - CM - Azul
HISTORY_MSG_218;P&B - Gamma - Vermelho
HISTORY_MSG_219;P&B - Gamma - Verde
HISTORY_MSG_220;P&B - Gamma - Azul
HISTORY_MSG_221;P&B - Filtro de cor
HISTORY_MSG_222;P&B - Predefinições
HISTORY_MSG_223;P&B - CM - Laranja
HISTORY_MSG_224;P&B - CM - Amarelo
HISTORY_MSG_225;P&B - CM - Ciano
HISTORY_MSG_226;P&B - CM - Magenta
HISTORY_MSG_227;P&B - CM - Roxo
HISTORY_MSG_228;P&B - Equalizador de luminância
HISTORY_MSG_229;P&B - Equalizador de luminância
HISTORY_MSG_230;P&B - Modo
HISTORY_MSG_231;P&B - Curva 'anterior'
HISTORY_MSG_232;P&B - Tipo de curva 'anterior'
HISTORY_MSG_233;P&B - Curva 'posterior'
HISTORY_MSG_234;P&B - Tipo de curva 'posterior'
HISTORY_MSG_235;P&B - Misturador de canal automático
HISTORY_MSG_236;--sem uso--
HISTORY_MSG_237;P&B - Misturador
HISTORY_MSG_238;GF - Pena
HISTORY_MSG_239;GF - Robustez
HISTORY_MSG_240;GF - Centro
HISTORY_MSG_241;VF - Pena
HISTORY_MSG_242;VF - Arredondamento
HISTORY_MSG_243;VC - Raio
HISTORY_MSG_244;VC - Robustez
HISTORY_MSG_245;VC - Centro
HISTORY_MSG_246;L*a*b* - Curva CL
HISTORY_MSG_247;L*a*b* - Curva LH
HISTORY_MSG_248;L*a*b* - Curva HH
HISTORY_MSG_249;CbDL - Limiar
HISTORY_MSG_250;NR - Aprimorada
HISTORY_MSG_251;P&B - Algorítimo
HISTORY_MSG_252;CbDL - Película tar/prot
HISTORY_MSG_253;CbDL - Reduzir artefatos
HISTORY_MSG_254;CbDL - Matiz da película
HISTORY_MSG_255;NR - Filtro mediano
HISTORY_MSG_256;NR - Mediano - Tipo
HISTORY_MSG_257;Tonificação de Cor
HISTORY_MSG_258;CT - Curva de cor
HISTORY_MSG_259;CT - Curva de opacidade
HISTORY_MSG_260;CT - a*[b*] opacidade
HISTORY_MSG_261;CT - Método
HISTORY_MSG_262;CT - b* opacidade
HISTORY_MSG_263;CT - Sombra - Vermelho
HISTORY_MSG_264;CT - Sombra - Verde
HISTORY_MSG_265;CT - Sombra - Azul
HISTORY_MSG_266;CT - Médio - Vermelho
HISTORY_MSG_267;CT - Médio - Verde
HISTORY_MSG_268;CT - Médio - Azul
HISTORY_MSG_269;CT - Alto - Vermelho
HISTORY_MSG_270;CT - Alto - Verde
HISTORY_MSG_271;CT - Alto - Azul
HISTORY_MSG_272;CT - Balanço
HISTORY_MSG_273;CT - Restaurar
HISTORY_MSG_274;CT - Sat. Sombras
HISTORY_MSG_275;CT - Sat. Realces
HISTORY_MSG_276;CT - Opacidade
HISTORY_MSG_277;--sem uso--
HISTORY_MSG_278;CT - Preserve luminância
HISTORY_MSG_279;CT - Sombras
HISTORY_MSG_280;CT - Realces
HISTORY_MSG_281;CT - Sat. robustez
HISTORY_MSG_282;CT - Sat. limiar
HISTORY_MSG_283;CT - Robustez
HISTORY_MSG_284;CT - Proteção automática sat.
HISTORY_MSG_285;NR - Mediano - Método
HISTORY_MSG_286;NR - Mediano - Tipo
HISTORY_MSG_287;NR - Mediano - Iterações
HISTORY_MSG_288;Flat Field - Controle de clipe
HISTORY_MSG_289;Flat Field - Controle de clipe - Automático
HISTORY_MSG_290;Nível de Preto - Vermelho
HISTORY_MSG_291;Nível de Preto - Verde
HISTORY_MSG_292;Nível de Preto - Azul
HISTORY_MSG_293;Simulação de Filme
HISTORY_MSG_294;Simulação de Filme - Robustez
HISTORY_MSG_295;Simulação de Filme - Filme
HISTORY_MSG_296;NR - Curva de luminância
HISTORY_MSG_297;NR - Modo
HISTORY_MSG_298;Filtro de pixel morto
HISTORY_MSG_299;NR - Curva de crominância
HISTORY_MSG_300;-
HISTORY_MSG_301;NR - Controle luma
HISTORY_MSG_302;NR - Método croma
HISTORY_MSG_303;NR - Método croma
HISTORY_MSG_304;W - Níveis de contraste
HISTORY_MSG_305;Níveis de Wavelet
HISTORY_MSG_306;W - Processo
HISTORY_MSG_307;W - Processo
HISTORY_MSG_308;W - Direção do processo
HISTORY_MSG_309;W - ES - Detalhe
HISTORY_MSG_310;W - Residual - Céu tar/prot
HISTORY_MSG_311;W - Níveis de Wavelet
HISTORY_MSG_312;W - Residual - Limiar de sombras
HISTORY_MSG_313;W - Croma - Sat/past
HISTORY_MSG_314;W - Gamut - Reduzir artefatos
HISTORY_MSG_315;W - Residual - Contraste
HISTORY_MSG_316;W - Gamut - Película tar/prot
HISTORY_MSG_317;W - Gamut - Matiz da película
HISTORY_MSG_318;W - Contraste - Níveis de realce
HISTORY_MSG_319;W - Contraste - Faixa de realce
HISTORY_MSG_320;W - Contraste - Faixa de sombra
HISTORY_MSG_321;W - Contraste - Níveis de sombra
HISTORY_MSG_322;W - Gamut - Evite mudança de cor
HISTORY_MSG_323;W - ES - Contraste local
HISTORY_MSG_324;W - Croma - Pastel
HISTORY_MSG_325;W - Croma - Saturado
HISTORY_MSG_326;W - Croma - Método
HISTORY_MSG_327;W - Contraste - Aplicar para
HISTORY_MSG_328;W - Croma - Robustez do link
HISTORY_MSG_329;W - Tonificação - Opacidade RG
HISTORY_MSG_330;W - Tonificação - Opacidade BY
HISTORY_MSG_331;W - Níveis de contraste - Extra
HISTORY_MSG_332;W - Método de ladrilhos
HISTORY_MSG_333;W - Residual - Sombras
HISTORY_MSG_334;W - Residual - Croma
HISTORY_MSG_335;W - Residual - Realces
HISTORY_MSG_336;W - Residual - Limiar de realces
HISTORY_MSG_337;W - Residual - Tonalidade do céu
HISTORY_MSG_338;W - ES - Raio
HISTORY_MSG_339;W - ES - Robustez
HISTORY_MSG_340;W - Robustez
HISTORY_MSG_341;W - Performance de borda
HISTORY_MSG_342;W - ES - Primeiro nível
HISTORY_MSG_343;W - Níveis cromáticos
HISTORY_MSG_344;W - Método croma sl/cur
HISTORY_MSG_345;W - ES - Contraste local
HISTORY_MSG_346;W - ES - Método de contraste local
HISTORY_MSG_347;W - Remoção de ruído - Nível 1
HISTORY_MSG_348;W - Remoção de ruído - Nível 2
HISTORY_MSG_349;W - Remoção de ruído - Nível 3
HISTORY_MSG_350;W - ES - Detecção de borda
HISTORY_MSG_351;W - Residual - Curva HH
HISTORY_MSG_352;W - Fundo
HISTORY_MSG_353;W - ES - Sensibilidade Gradiente
HISTORY_MSG_354;W - ES - Aprimorada
HISTORY_MSG_355;W - ES - Limiar baixo
HISTORY_MSG_356;W - ES - Limiar alto
HISTORY_MSG_357;W - Remoção de ruído - Link com ES
HISTORY_MSG_358;W - Gamut - CH
HISTORY_MSG_359;Hot/Dead - Limiar
HISTORY_MSG_360;TM - Gamma
HISTORY_MSG_361;W - Final - Balanço cromático
HISTORY_MSG_362;W - Residual - Método de compressão
HISTORY_MSG_363;W - Residual - Robustez da compressão
HISTORY_MSG_364;W - Final - Balanço de Contraste
HISTORY_MSG_365;W - Final - Balanço Delta
HISTORY_MSG_366;W - Residual - Gamma de compressão
HISTORY_MSG_367;W - Final - Curva de contraste 'posterior'
HISTORY_MSG_368;W - Final - Balanço de contraste
HISTORY_MSG_369;W - Final - Método de balanço
HISTORY_MSG_370;W - Final - Curva de contraste local
HISTORY_MSG_371;Pós Redimensionamento de Nitidez
HISTORY_MSG_372;PRS USM - Raio
HISTORY_MSG_373;PRS USM - Montante
HISTORY_MSG_374;PRS USM - Limiar
HISTORY_MSG_375;PRS USM - Nitidez apenas nas bordas
HISTORY_MSG_376;PRS USM - Raio de detecção de borda
HISTORY_MSG_377;PRS USM - Tolerância de borda
HISTORY_MSG_378;PRS USM - Controle de halo
HISTORY_MSG_379;PRS USM - Monten de controle de halo
HISTORY_MSG_380;PRS - Método
HISTORY_MSG_381;PRS RLD - Raio
HISTORY_MSG_382;PRS RLD - Montante
HISTORY_MSG_383;PRS RLD - Damping
HISTORY_MSG_384;PRS RLD - Iterações
HISTORY_MSG_385;W - Residual - Balanço de Cor
HISTORY_MSG_386;W - Residual - CB verde alto
HISTORY_MSG_387;W - Residual - CB azul alto
HISTORY_MSG_388;W - Residual - CB verde médio
HISTORY_MSG_389;W - Residual - CB azul médio
HISTORY_MSG_390;W - Residual - CB verde baixo
HISTORY_MSG_391;W - Residual - CB azul baixo
HISTORY_MSG_392;W - Residual - CB Restaurar
HISTORY_MSG_393;DCP - Mesa de Olhar
HISTORY_MSG_394;DCP - Exposição linha de base
HISTORY_MSG_395;DCP - Mesa base
HISTORY_MSG_396;W - Sub-ferramenta de contraste
HISTORY_MSG_397;W - Sub-ferramenta de croma
HISTORY_MSG_398;W - Sub-ferramenta ES
HISTORY_MSG_399;W - Sub-ferramenta residual
HISTORY_MSG_400;W - Sub-ferramenta final
HISTORY_MSG_401;W - Sub-ferramenta de tonificação
HISTORY_MSG_402;W - Sub-ferramenta de remoção de ruído
HISTORY_MSG_403;W - ES - Sensibilidade de borda
HISTORY_MSG_404;W - ES - Amplificação de base
HISTORY_MSG_405;W - Remoção de ruído - Nível 4
HISTORY_MSG_406;W - ES - Pixels vizinhos
HISTORY_MSG_407;Retinex - Método
HISTORY_MSG_408;Retinex - Raio
HISTORY_MSG_409;Retinex - Contraste
HISTORY_MSG_410;Retinex - Offset
HISTORY_MSG_411;Retinex - Robustez
HISTORY_MSG_412;Retinex - Gradiente de Gaussian
HISTORY_MSG_413;Retinex - Contraste
HISTORY_MSG_414;Retinex - Histograma - Laboratório
HISTORY_MSG_415;Retinex - Transmição
HISTORY_MSG_416;Retinex
HISTORY_MSG_417;Retinex - Mediana de transmissão
HISTORY_MSG_418;Retinex - Limiar
HISTORY_MSG_419;Retinex - Espaço colorido
HISTORY_MSG_420;Retinex - Histograma - HSL
HISTORY_MSG_421;Retinex - Gamma
HISTORY_MSG_422;Retinex - Gamma
HISTORY_MSG_423;Retinex - Inclinação gamma
HISTORY_MSG_424;Retinex - Limiar HL
HISTORY_MSG_425;Retinex - Base de registro
HISTORY_MSG_426;Retinex - Equalizador de matiz
HISTORY_MSG_427;Intenção de renderização de saída
HISTORY_MSG_428;Intenção de renderização do monitor
HISTORY_MSG_429;Retinex - Iterações
HISTORY_MSG_430;Retinex - Gradiente de transmissão
HISTORY_MSG_431;Retinex - Gradiente de robustez
HISTORY_MSG_432;Retinex - M - Realces
HISTORY_MSG_433;Retinex - M - Realces TW
HISTORY_MSG_434;Retinex - M - Sombras
HISTORY_MSG_435;Retinex - M - Sombras TW
HISTORY_MSG_436;Retinex - M - Raio
HISTORY_MSG_437;Retinex - M - Método
HISTORY_MSG_438;Retinex - M - Equalizador
HISTORY_MSG_439;Retinex - Processo
HISTORY_MSG_440;CbDL - Método
HISTORY_MSG_441;Retinex - Transmissão de ganho
HISTORY_MSG_442;Retinex - escala
HISTORY_MSG_443;Compensação do ponto preto de saída
HISTORY_MSG_444;Balanço de Branco - viés Temp
HISTORY_MSG_445;Sub-imagem Raw
HISTORY_MSG_449;PS - adaptação ISO
HISTORY_MSG_452;PS - Mostrar movimento
HISTORY_MSG_453;PS - Mostrar apenas a máscara
HISTORY_MSG_457;PS - Verificar vermelho/azul
HISTORY_MSG_462;PS - Verificar verde
HISTORY_MSG_464;PS - Máscara de movimento borrar
HISTORY_MSG_465;PS - Raio borrar
HISTORY_MSG_468;PS - Preencher furos
HISTORY_MSG_469;PS - Mediano
HISTORY_MSG_471;PS - Correção de movimento
HISTORY_MSG_472;PS - Transições suaves
HISTORY_MSG_473;PS - Usar LMMSE
HISTORY_MSG_474;PS - Equalizar
HISTORY_MSG_475;PS - Equalizar canal
HISTORY_MSG_476;CAM02 - Saída Temp
HISTORY_MSG_477;CAM02 - Saída Verde
HISTORY_MSG_478;CAM02 - Saída Yb
HISTORY_MSG_479;CAM02 - Saída da adaptação CAT02
HISTORY_MSG_480;CAM02 - Saída automática CAT02
HISTORY_MSG_481;CAM02 - Cena Temp
HISTORY_MSG_482;CAM02 - Cena verde
HISTORY_MSG_483;CAM02 - Cena Yb
HISTORY_MSG_484;CAM02 - Cena automática Yb
HISTORY_MSG_485;Correção de Lente
HISTORY_MSG_486;Correção de Lente - Câmera
HISTORY_MSG_487;Correção de Lente - Lente
HISTORY_MSG_488;HDR Mpeamento de Tom
HISTORY_MSG_489;HDR TM - Limiar
HISTORY_MSG_490;HDR TM - Montante
HISTORY_MSG_491;Balanço de Branco
HISTORY_MSG_492;Curvas RGB
HISTORY_MSG_493;L*a*b* Ajustes
HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Correção de cor
HISTORY_MSG_HISTMATCHING;Curva de Tom Auto-compatível
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Contraste Local - Montante
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Contraste Local - Escuridão
HISTORY_MSG_LOCALCONTRAST_ENABLED;Contraste Local
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Contraste Local - Claridade
HISTORY_MSG_LOCALCONTRAST_RADIUS;Contraste Local - Raio
HISTORY_MSG_METADATA_MODE;Modo de cópia de metadados
HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Direção do filtro de ruído de linha
HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;Filtros de linha PDAF
HISTORY_MSG_TM_FATTAL_ANCHOR;HDR TM - Âncora
HISTORY_NEWSNAPSHOT;Adicionar
HISTORY_NEWSNAPSHOT_TOOLTIP;Atalho: Alt-s
HISTORY_SNAPSHOT;Instantâneo
HISTORY_SNAPSHOTS;Instantâneos
IPTCPANEL_CATEGORY;Categoria
IPTCPANEL_CATEGORYHINT;Identifica o assunto da imagem na opinião do provedor.
IPTCPANEL_CITY;Cidade
IPTCPANEL_CITYHINT;Digite o nome da cidade ilustrada nesta imagem.
IPTCPANEL_COPYHINT;Copie as configurações do IPTC para a área de transferência.
IPTCPANEL_COPYRIGHT;Aviso de Direitos Autorais
IPTCPANEL_COPYRIGHTHINT;Insira um Aviso sobre o proprietário atual dos Direitos Autorais desta imagem, como © 2008 Jane Doe.
IPTCPANEL_COUNTRY;País
IPTCPANEL_COUNTRYHINT;Digite o nome do país ilustrado nesta imagem.
IPTCPANEL_CREATOR;Criador
IPTCPANEL_CREATORHINT;Digite o nome da pessoa que criou esta imagem.
IPTCPANEL_CREATORJOBTITLE;Cargo do criador
IPTCPANEL_CREATORJOBTITLEHINT;Digite o cargo da pessoa listada no campo Criador.
IPTCPANEL_CREDIT;Linha de crédito
IPTCPANEL_CREDITHINT;Digite quem deve ser creditado quando esta imagem for publicada.
IPTCPANEL_DATECREATED;Data criada
IPTCPANEL_DATECREATEDHINT;Digite a data em que a imagem foi tirada.
IPTCPANEL_DESCRIPTION;Descrição
IPTCPANEL_DESCRIPTIONHINT;Digite "legenda" descrevendo quem, o que e o que está acontecendo nessa imagem, isso pode incluir nomes de pessoas e/ou seu papel na ação que está ocorrendo na imagem.
IPTCPANEL_DESCRIPTIONWRITER;Descrição do autor
IPTCPANEL_DESCRIPTIONWRITERHINT;Digite o nome do redator, editor ou corretor da descrição da imagem.
IPTCPANEL_EMBEDDED;Incorporado
IPTCPANEL_EMBEDDEDHINT;Restaurar para dados IPTC incorporados no arquivo de imagem
IPTCPANEL_HEADLINE;Título
IPTCPANEL_HEADLINEHINT;Digite uma breve sinopse publicável ou resumo do conteúdo da imagem.
IPTCPANEL_INSTRUCTIONS;Instruções
IPTCPANEL_INSTRUCTIONSHINT;Insira informações sobre embargos ou outras restrições não cobertas pelo campo Direitos Autorais.
IPTCPANEL_KEYWORDS;Palavras-chave
IPTCPANEL_KEYWORDSHINT;Insira qualquer número de palavras-chave, termos ou frases usados para expressar o assunto na imagem.
IPTCPANEL_PASTEHINT;Colar configurações IPTC da área de transferência.
IPTCPANEL_PROVINCE;Província ou estado
IPTCPANEL_PROVINCEHINT;Digite o nome da província ou estado retratado nesta imagem.
IPTCPANEL_RESET;Restaurar
IPTCPANEL_RESETHINT;Restaurar para o perfil padrão.
IPTCPANEL_SOURCE;Fonte
IPTCPANEL_SOURCEHINT;Digite ou edite o nome da pessoa que colaborou com o conteúdo, ou pessoa ou entidade da qual você recebeu esta imagem.
IPTCPANEL_SUPPCATEGORIES;Categorias suplementares
IPTCPANEL_SUPPCATEGORIESHINT;Refine mais o assunto da imagem.
IPTCPANEL_TITLE;Título
IPTCPANEL_TITLEHINT;Digite um nome curto e legível para a imagem, pode ser o nome do arquivo.
IPTCPANEL_TRANSREFERENCE;Job ID
IPTCPANEL_TRANSREFERENCEHINT;Digite um número ou identificador necessário para controle ou rastreamento do fluxo de trabalho.
LENSPROFILE_CORRECTION_AUTOMATCH;Parâmetros de correção de correspondência automática
LENSPROFILE_CORRECTION_LCPFILE;Arquivo LCP
LENSPROFILE_CORRECTION_MANUAL;Parâmetros de correção manual
LENSPROFILE_LENS_WARNING;Aviso: o fator de corte usado para o perfil da lente é maior que o fator de corte da câmera, os resultados podem estar errados.
MAIN_BUTTON_FULLSCREEN;Tela cheia
MAIN_BUTTON_NAVNEXT_TOOLTIP;Navegue até a próxima imagem relativa à imagem aberta no Editor.\nAtalho: Shift-F4\n\nPara navegar até a próxima imagem relativa à miniatura selecionada no Navegador de Arquivos ou na Tira de filme:\nAtalho: F4
MAIN_BUTTON_NAVPREV_TOOLTIP;Navegue até a imagem anterior relativa à imagem aberta no Editor.\nAtalho: Shift-F3\n\nPara navegar até a imagem anterior relativa à miniatura selecionada no Navegador de Arquivos ou na Tira de filme:\nAtalho: F3
MAIN_BUTTON_NAVSYNC_TOOLTIP;141/5000
Sincronize o Navegador de Arquivos ou a Tira de filme com o Editor para revelar a miniatura da imagem aberta no momento e limpe os filtros ativos.\nAtalho: x\n\nComo acima, mas sem limpar os filtros ativos:\nAtalho: y\n(Observe que a miniatura da imagem aberta não será mostrada se estiver filtrada).
MAIN_BUTTON_PREFERENCES;Preferências
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Coloque a imagem atual na fila de processamento.\nAtalho: Ctrl+b
MAIN_BUTTON_SAVE_TOOLTIP;Salvar imagem atual.\nAtalho: Ctrl+s
MAIN_BUTTON_SENDTOEDITOR;Editar imagem no editor externo
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Editar imagem atual no editor externo.\nAtalho: Ctrl+e
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostrar/ocultar todos os painéis laterais.\nAtalho: m
MAIN_BUTTON_UNFULLSCREEN;Sair da tela cheia
MAIN_FRAME_BATCHQUEUE;Fila
MAIN_FRAME_BATCHQUEUE_TOOLTIP;Processando fila.\nAtalho: Ctrl-F3
MAIN_FRAME_EDITOR;Editor
MAIN_FRAME_EDITOR_TOOLTIP;Editor.\nAtalho: Ctrl-F4
MAIN_FRAME_FILEBROWSER;Navegador de Arquivos
MAIN_FRAME_FILEBROWSER_TOOLTIP;Navegador de arquivos.\nAtalho: Ctrl-F2
MAIN_FRAME_PLACES;Locais
MAIN_FRAME_PLACES_ADD;Adicionar
MAIN_FRAME_PLACES_DEL;Excluir
MAIN_FRAME_RECENT;Pastas Recentes
MAIN_MSG_ALREADYEXISTS;O arquivo já existe.
MAIN_MSG_CANNOTLOAD;Não é possível carregar a imagem
MAIN_MSG_CANNOTSAVE;Erro ao salvar arquivo
MAIN_MSG_CANNOTSTARTEDITOR;Não é possível iniciar o editor.
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Please set the correct path in Preferences.
MAIN_MSG_EMPTYFILENAME;Filename unspecified!
MAIN_MSG_IMAGEUNPROCESSED;This command requires all selected images to be queue-processed first.
MAIN_MSG_NAVIGATOR;Navigator
MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
MAIN_MSG_PATHDOESNTEXIST;The path\n\n%1\n\ndoes not exist. Please set a correct path in Preferences.
MAIN_MSG_QOVERWRITE;Do you want to overwrite it?
MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
MAIN_MSG_WRITEFAILED;Failed to write\n"%1"\n\nMake sure that the folder exists and that you have write permission to it.
MAIN_TAB_ADVANCED;Advanced
MAIN_TAB_ADVANCED_TOOLTIP;Shortcut: Alt-w
MAIN_TAB_COLOR;Color
MAIN_TAB_COLOR_TOOLTIP;Shortcut: Alt-c
MAIN_TAB_DETAIL;Detail
MAIN_TAB_DETAIL_TOOLTIP;Shortcut: Alt-d
MAIN_TAB_DEVELOP; Batch Edit
MAIN_TAB_EXIF;Exif
MAIN_TAB_EXPORT; Fast Export
MAIN_TAB_EXPOSURE;Exposure
MAIN_TAB_EXPOSURE_TOOLTIP;Shortcut: Alt-e
MAIN_TAB_FILTER; Filter
MAIN_TAB_INSPECT; Inspect
MAIN_TAB_IPTC;IPTC
MAIN_TAB_METADATA;Metadata
MAIN_TAB_METADATA_TOOLTIP;Shortcut: Alt-m
MAIN_TAB_RAW;Raw
MAIN_TAB_RAW_TOOLTIP;Shortcut: Alt-r
MAIN_TAB_TRANSFORM;Transform
MAIN_TAB_TRANSFORM_TOOLTIP;Shortcut: Alt-t
MAIN_TOOLTIP_BACKCOLOR0;Background color of the preview: Theme-based\nShortcut: 9
MAIN_TOOLTIP_BACKCOLOR1;Background color of the preview: Black\nShortcut: 9
MAIN_TOOLTIP_BACKCOLOR2;Background color of the preview: White\nShortcut: 9
MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: Middle grey\nShortcut: 9
MAIN_TOOLTIP_BEFOREAFTERLOCK;Lock / Unlock the Before view\n\nLock: keep the Before view unchanged.\nUseful to evaluate the cumulative effect of multiple tools.\nAdditionally, comparisons can be made to any state in the History.\n\nUnlock: the Before view will follow the After view one step behind, showing the image before the effect of the currently used tool.
MAIN_TOOLTIP_HIDEHP;Show/Hide the left panel (including the history).\nShortcut: l
MAIN_TOOLTIP_INDCLIPPEDH;Clipped highlight indication.\nShortcut: <
MAIN_TOOLTIP_INDCLIPPEDS;Clipped shadow indication.\nShortcut: >
MAIN_TOOLTIP_PREVIEWB;Preview the Blue channel.\nShortcut: b
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Preview the Focus Mask.\nShortcut: Shift-f\n\nMore accurate on images with shallow depth of field, low noise and at higher zoom levels.\n\nTo improve detection accuracy for noisy images evaluate at smaller zoom, about 10-30%.
MAIN_TOOLTIP_PREVIEWG;Preview the Green channel.\nShortcut: g
MAIN_TOOLTIP_PREVIEWL;Preview the Luminosity.\nShortcut: v\n\n0.299*R + 0.587*G + 0.114*B
MAIN_TOOLTIP_PREVIEWR;Preview the Red channel.\nShortcut: r
MAIN_TOOLTIP_QINFO;Quick info on the image.\nShortcut: i
MAIN_TOOLTIP_SHOWHIDELP1;Show/Hide the left panel.\nShortcut: l
MAIN_TOOLTIP_SHOWHIDERP1;Show/Hide the right panel.\nShortcut: Alt-l
MAIN_TOOLTIP_SHOWHIDETP1;Show/Hide the top panel.\nShortcut: Shift-l
MAIN_TOOLTIP_THRESHOLD;Threshold
MAIN_TOOLTIP_TOGGLE;Toggle the Before/After view.\nShortcut: Shift-b
MONITOR_PROFILE_SYSTEM;System default
NAVIGATOR_B;B:
NAVIGATOR_G;G:
NAVIGATOR_H;H:
NAVIGATOR_LAB_A;a*:
NAVIGATOR_LAB_B;b*:
NAVIGATOR_LAB_L;L*:
NAVIGATOR_NA; --
NAVIGATOR_R;R:
NAVIGATOR_S;S:
NAVIGATOR_V;V:
NAVIGATOR_XY_FULL;Width: %1, Height: %2
NAVIGATOR_XY_NA;x: --, y: --
OPTIONS_BUNDLED_MISSING;The bundled profile "%1" could not be found!\n\nYour installation could be damaged.\n\nDefault internal values will be used instead.
OPTIONS_DEFIMG_MISSING;The default profile for non-raw photos could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n"%1" will be used instead.
OPTIONS_DEFRAW_MISSING;The default profile for raw photos could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n"%1" will be used instead.
PARTIALPASTE_ADVANCEDGROUP;Advanced Settings
PARTIALPASTE_BASICGROUP;Basic Settings
PARTIALPASTE_CACORRECTION;Chromatic aberration correction
PARTIALPASTE_CHANNELMIXER;Channel mixer
PARTIALPASTE_CHANNELMIXERBW;Black-and-white
PARTIALPASTE_COARSETRANS;Coarse rotation/flipping
PARTIALPASTE_COLORAPP;CIECAM02
PARTIALPASTE_COLORGROUP;Color Related Settings
PARTIALPASTE_COLORTONING;Color toning
PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-fill
PARTIALPASTE_COMPOSITIONGROUP;Composition Settings
PARTIALPASTE_CROP;Crop
PARTIALPASTE_DARKFRAMEAUTOSELECT;Dark-frame auto-selection
PARTIALPASTE_DARKFRAMEFILE;Dark-frame file
PARTIALPASTE_DEFRINGE;Defringe
PARTIALPASTE_DETAILGROUP;Detail Settings
PARTIALPASTE_DIALOGLABEL;Partial paste processing profile
PARTIALPASTE_DIRPYRDENOISE;Noise reduction
PARTIALPASTE_DIRPYREQUALIZER;Contrast by detail levels
PARTIALPASTE_DISTORTION;Distortion correction
PARTIALPASTE_EPD;Tone mapping
PARTIALPASTE_EQUALIZER;Wavelet levels
PARTIALPASTE_EVERYTHING;Everything
PARTIALPASTE_EXIFCHANGES;Exif
PARTIALPASTE_EXPOSURE;Exposure
PARTIALPASTE_FILMSIMULATION;Film simulation
PARTIALPASTE_FLATFIELDAUTOSELECT;Flat-field auto-selection
PARTIALPASTE_FLATFIELDBLURRADIUS;Flat-field blur radius
PARTIALPASTE_FLATFIELDBLURTYPE;Flat-field blur type
PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
PARTIALPASTE_FLATFIELDFILE;Flat-field file
PARTIALPASTE_GRADIENT;Graduated filter
PARTIALPASTE_HSVEQUALIZER;HSV equalizer
PARTIALPASTE_ICMSETTINGS;Color management settings
PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
PARTIALPASTE_IPTCINFO;IPTC
PARTIALPASTE_LABCURVE;L*a*b* adjustments
PARTIALPASTE_LENSGROUP;Lens Related Settings
PARTIALPASTE_LENSPROFILE;Profiled lens correction
PARTIALPASTE_LOCALCONTRAST;Local contrast
PARTIALPASTE_METADATA;Metadata mode
PARTIALPASTE_METAGROUP;Metadata settings
PARTIALPASTE_PCVIGNETTE;Vignette filter
PARTIALPASTE_PERSPECTIVE;Perspective
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
PARTIALPASTE_PREPROCESS_GREENEQUIL;Green equilibration
PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
PARTIALPASTE_PREPROCESS_LINEDENOISE;Line noise filter
PARTIALPASTE_PRSHARPENING;Post-resize sharpening
PARTIALPASTE_RAWCACORR_AUTO;CA auto-correction
PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
PARTIALPASTE_RAWEXPOS_BLACK;Black levels
PARTIALPASTE_RAWEXPOS_LINEAR;White point correction
PARTIALPASTE_RAWEXPOS_PRESER;Highlight preservation
PARTIALPASTE_RAWGROUP;Raw Settings
PARTIALPASTE_RAW_DCBENHANCE;DCB enhancement
PARTIALPASTE_RAW_DCBITERATIONS;DCB iterations
PARTIALPASTE_RAW_DMETHOD;Demosaic method
PARTIALPASTE_RAW_FALSECOLOR;False color suppression
PARTIALPASTE_RAW_IMAGENUM;Sub-image
PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
PARTIALPASTE_RESIZE;Resize
PARTIALPASTE_RETINEX;Retinex
PARTIALPASTE_RGBCURVES;RGB curves
PARTIALPASTE_ROTATION;Rotation
PARTIALPASTE_SHADOWSHIGHLIGHTS;Shadows/highlights
PARTIALPASTE_SHARPENEDGE;Edges
PARTIALPASTE_SHARPENING;Sharpening (USM/RL)
PARTIALPASTE_SHARPENMICRO;Microcontrast
PARTIALPASTE_TM_FATTAL;HDR Tone mapping
PARTIALPASTE_VIBRANCE;Vibrance
PARTIALPASTE_VIGNETTING;Vignetting correction
PARTIALPASTE_WHITEBALANCE;White balance
PREFERENCES_ADD;Add
PREFERENCES_APPLNEXTSTARTUP;restart required
PREFERENCES_AUTLISLOW;Low
PREFERENCES_AUTLISMAX;Max - Average of all tiles
PREFERENCES_AUTLISSTD;High
PREFERENCES_AUTLISVLOW;None
PREFERENCES_AUTLOW;Low
PREFERENCES_AUTOMONPROFILE;Use operating system's main monitor color profile
PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting
PREFERENCES_AUTSTD;Standard
PREFERENCES_BATCH_PROCESSING;Batch Processing
PREFERENCES_BEHADDALL;All to 'Add'
PREFERENCES_BEHADDALLHINT;Set all parameters to the Add mode.\nAdjustments of parameters in the batch tool panel will be deltas to the stored values.
PREFERENCES_BEHAVIOR;Behavior
PREFERENCES_BEHSETALL;All to 'Set'
PREFERENCES_BEHSETALLHINT;Set all parameters to the Set mode.\nAdjustments of parameters in the batch tool panel will be absolute, the actual values will be displayed.
PREFERENCES_BLACKBODY;Tungsten
PREFERENCES_CACHECLEARALL;Clear All
PREFERENCES_CACHECLEARPROFILES;Clear Processing Profiles
PREFERENCES_CACHECLEARTHUMBS;Clear Thumbnails
PREFERENCES_CACHEMAXENTRIES;Maximum number of cache entries
PREFERENCES_CACHEOPTS;Cache Options
PREFERENCES_CACHETHUMBHEIGHT;Maximum thumbnail height
PREFERENCES_CIEART;CIECAM02 optimization
PREFERENCES_CIEART_FRAME;CIECAM02-Specific Settings
PREFERENCES_CIEART_LABEL;Use float precision instead of double
PREFERENCES_CIEART_TOOLTIP;If enabled, CIECAM02 calculations are performed in the single-precision floating-point format instead of the double-precision one. This provides a small increase in speed at the expense of a negligible loss of quality.
PREFERENCES_CLIPPINGIND;Clipping Indication
PREFERENCES_CLUTSCACHE;HaldCLUT Cache
PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
PREFERENCES_CLUTSDIR;HaldCLUT directory
PREFERENCES_CMMBPC;Black point compensation
PREFERENCES_CROP;Crop editing
PREFERENCES_CROP_AUTO_FIT;Automatically zoom to fit the crop area
PREFERENCES_CROP_GUIDES;Guides shown when not editing the crop
PREFERENCES_CROP_GUIDES_FRAME;Frame
PREFERENCES_CROP_GUIDES_FULL;Original
PREFERENCES_CROP_GUIDES_NONE;None
PREFERENCES_CURVEBBOXPOS;Position of curve copy & paste buttons
PREFERENCES_CURVEBBOXPOS_ABOVE;Above
PREFERENCES_CURVEBBOXPOS_BELOW;Below
PREFERENCES_CURVEBBOXPOS_LEFT;Left
PREFERENCES_CURVEBBOXPOS_RIGHT;Right
PREFERENCES_CUSTPROFBUILD;Custom Processing Profile Builder
PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\nWARNING: You are responsible for using double quotes where necessary if you're using paths containing spaces.
PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
PREFERENCES_CUSTPROFBUILDPATH;Executable path
PREFERENCES_CUTOVERLAYBRUSH;Crop mask color/transparency
PREFERENCES_D50;Settings in main menu
PREFERENCES_D50_OLD;5000K
PREFERENCES_D55;5500K
PREFERENCES_D60;6000K
PREFERENCES_D65;6500K
PREFERENCES_DARKFRAMEFOUND;Found
PREFERENCES_DARKFRAMESHOTS;shots
PREFERENCES_DARKFRAMETEMPLATES;templates
PREFERENCES_DATEFORMAT;Date format
PREFERENCES_DATEFORMATHINT;You can use the following formatting strings:\n%y - year\n%m - month\n%d - day\n\nFor example, the ISO 8601 standard dictates the date format as follows:\n%y-%m-%d
PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
PREFERENCES_DIRDARKFRAMES;Dark-frames directory
PREFERENCES_DIRECTORIES;Directories
PREFERENCES_DIRHOME;Home directory
PREFERENCES_DIRLAST;Last visited directory
PREFERENCES_DIROTHER;Other
PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
PREFERENCES_DIRSOFTWARE;Installation directory
PREFERENCES_EDITORCMDLINE;Custom command line
PREFERENCES_EDITORLAYOUT;Editor Layout
PREFERENCES_EXPAUT;Expert
PREFERENCES_EXTERNALEDITOR;External Editor
PREFERENCES_FBROWSEROPTS;File Browser / Thumbnail Options
PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
PREFERENCES_FILEFORMAT;File format
PREFERENCES_FLATFIELDFOUND;Found
PREFERENCES_FLATFIELDSDIR;Flat-fields directory
PREFERENCES_FLATFIELDSHOTS;shots
PREFERENCES_FLATFIELDTEMPLATES;templates
PREFERENCES_FLUOF2;Fluorescent F2
PREFERENCES_FLUOF7;Fluorescent F7
PREFERENCES_FLUOF11;Fluorescent F11
PREFERENCES_FORIMAGE;For non-raw photos
PREFERENCES_FORRAW;For raw photos
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
PREFERENCES_GIMPPATH;GIMP installation directory
PREFERENCES_GREY;Output device's Yb luminance (%)
PREFERENCES_GREY05;Yb=05 CIE L#30
PREFERENCES_GREY10;Yb=10 CIE L#40
PREFERENCES_GREY15;Yb=15 CIE L#45
PREFERENCES_GREY18;Settings in main menu
PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
PREFERENCES_GREY23;Yb=23 CIE L#55
PREFERENCES_GREY30;Yb=30 CIE L#60
PREFERENCES_GREY40;Yb=40 CIE L#70
PREFERENCES_GREYSC;Scene Yb luminance (%)
PREFERENCES_GREYSC18;Yb=18 CIE L#50
PREFERENCES_GREYSCA;Automatic
PREFERENCES_HISTOGRAMPOSITIONLEFT;Histogram in left panel
PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
PREFERENCES_HLTHRESHOLD;Threshold for clipped highlights
PREFERENCES_ICCDIR;Directory containing color profiles
PREFERENCES_IMG_RELOAD_NEEDED;These changes require the image to be reloaded (or a new image to be opened) to take effect.
PREFERENCES_IMPROCPARAMS;Default Processing Profile
PREFERENCES_INSPECT_LABEL;Inspect
PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
PREFERENCES_INTENT_ABSOLUTE;Absolute Colorimetric
PREFERENCES_INTENT_PERCEPTUAL;Perceptual
PREFERENCES_INTENT_RELATIVE;Relative Colorimetric
PREFERENCES_INTENT_SATURATION;Saturation
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Show embedded JPEG thumbnail if raw is unedited
PREFERENCES_LANG;Language
PREFERENCES_LANGAUTODETECT;Use system language
PREFERENCES_LEVAUTDN;Denoising level
PREFERENCES_LEVDN;Cell size
PREFERENCES_LISS;Auto multi-zone smoothing
PREFERENCES_MAX;Maxi (Tile)
PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
PREFERENCES_MED;Medium (Tile/2)
PREFERENCES_MENUGROUPEXTPROGS;Group "Open with"
PREFERENCES_MENUGROUPFILEOPERATIONS;Group "File operations"
PREFERENCES_MENUGROUPLABEL;Group "Color label"
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Group "Processing profile operations"
PREFERENCES_MENUGROUPRANK;Group "Rank"
PREFERENCES_MENUOPTIONS;Context Menu Options
PREFERENCES_METADATA;Metadata
PREFERENCES_MIN;Mini (100x115)
PREFERENCES_MONINTENT;Default rendering intent
PREFERENCES_MONITOR;Monitor
PREFERENCES_MONPROFILE;Default color profile
PREFERENCES_MONPROFILE_WARNOSX;Due to MacOS limitations, only sRGB is supported.
PREFERENCES_MULTITAB;Multiple Editor Tabs Mode
PREFERENCES_MULTITABDUALMON;Multiple Editor Tabs In Own Window Mode
PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
PREFERENCES_NAVIGATIONFRAME;Navigation
PREFERENCES_NOISE;Noise Reduction
PREFERENCES_OUTDIR;Output Directory
PREFERENCES_OUTDIRFOLDER;Save to folder
PREFERENCES_OUTDIRFOLDERHINT;Save images to the selected folder.
PREFERENCES_OUTDIRTEMPLATE;Use template
PREFERENCES_OUTDIRTEMPLATEHINT;You can use the following formatting strings:\n%f, %d1, %d2, ..., %p1, %p2, ..., %r, %s1, %s2, ...\n\nThese formatting strings refer to the different parts of the photo's pathname, some attributes of the photo or an arbitrary sequence index in the batch job.\n\nFor example, if the photo being processed has the following pathname:\n/home/tom/photos/2010-10-31/dsc0042.nef\nthe meaning of the formatting strings are:\n%d4 = home\n%d3 = tom\n%d2 = photos\n%d1 = 2010-10-31\n%f = dsc0042\n%p1 = /home/tom/photos/2010-10-31/\n%p2 = /home/tom/photos/\n%p3 = /home/tom/\n%p4 = /home/\n\n%r will be replaced by the rank of the photo. If the photo is unranked, %r will be replaced by '0'. If the photo is in the trash bin, %r will be replaced by 'x'.\n\n%s1, %s2, etc. will be replaced by a sequence index which is padded to between 1 and 9 digits. The sequence index will start at one each time the queue processing is started and is incremented by one for each image processed.\n\nIf you want to save the output image where the original is, write:\n%p1/%f\n\nIf you want to save the output image in a directory named "converted" located in the directory of the opened image, write:\n%p1/converted/%f\n\nIf you want to save the output image in a directory named\n"/home/tom/photos/converted/2010-10-31", write:\n%p2/converted/%d1/%f
PREFERENCES_OVERLAY_FILENAMES;Overlay filenames on thumbnails in the file browser
PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
PREFERENCES_OVERWRITEOUTPUTFILE;Overwrite existing output files
PREFERENCES_PANFACTORLABEL;Pan rate amplification
PREFERENCES_PARSEDEXT;Parsed Extensions
PREFERENCES_PARSEDEXTADD;Add extension
PREFERENCES_PARSEDEXTADDHINT;Add entered extension to the list.
PREFERENCES_PARSEDEXTDELHINT;Delete selected extension from the list.
PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
PREFERENCES_PREVDEMO;Preview Demosaic Method
PREFERENCES_PREVDEMO_FAST;Fast
PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
PREFERENCES_PREVDEMO_SIDECAR;As in PP3
PREFERENCES_PRINTER;Printer (Soft-Proofing)
PREFERENCES_PROFILEHANDLING;Processing Profile Handling
PREFERENCES_PROFILELOADPR;Processing profile loading priority
PREFERENCES_PROFILEPRCACHE;Profile in cache
PREFERENCES_PROFILEPRFILE;Profile next to the input file
PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
PREFERENCES_PROFILESAVECACHE;Save processing profile to the cache
PREFERENCES_PROFILESAVEINPUT;Save processing profile next to the input file
PREFERENCES_PROFILESAVELOCATION;Processing profile saving location
PREFERENCES_PROFILE_NONE;None
PREFERENCES_PROPERTY;Property
PREFERENCES_PRTINTENT;Rendering intent
PREFERENCES_PRTPROFILE;Color profile
PREFERENCES_PSPATH;Adobe Photoshop installation directory
PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in "Single Editor Tab Mode" and when "Demosaicing method used for the preview at <100% zoom" is set to "As in PP3".
PREFERENCES_RGBDTL_LABEL;Max number of threads for Noise Reduction and Wavelet Levels
PREFERENCES_RGBDTL_TOOLTIP;Leave the setting at "0" to automatically use as many threads as possible. The more threads run in parallel, the faster the computation. Refer to RawPedia for memory requirements.
PREFERENCES_SAVE_TP_OPEN_NOW;Save tools collapsed/expanded state now
PREFERENCES_SELECTFONT;Select main font
PREFERENCES_SELECTFONT_COLPICKER;Select Color Picker's font
PREFERENCES_SELECTLANG;Select language
PREFERENCES_SELECTTHEME;Select theme
PREFERENCES_SERIALIZE_TIFF_READ;Tiff Read Settings
PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize read of tiff files
PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;When working with folders full of uncompressed tiff files enabling this option can increase performance of thumb generation.
PREFERENCES_SET;Set
PREFERENCES_SHOWBASICEXIF;Show basic Exif info
PREFERENCES_SHOWDATETIME;Show date and time
PREFERENCES_SHOWEXPOSURECOMPENSATION;Append exposure compensation
PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show filmstrip toolbar
PREFERENCES_SHTHRESHOLD;Threshold for clipped shadows
PREFERENCES_SIMPLAUT;Tool mode
PREFERENCES_SINGLETAB;Single Editor Tab Mode
PREFERENCES_SINGLETABVERTAB;Single Editor Tab Mode, Vertical Tabs
PREFERENCES_SMA;Small (250x287)
PREFERENCES_SND_BATCHQUEUEDONE;Queue processing done
PREFERENCES_SND_HELP;Enter a full file path to set a sound, or leave blank for no sound.\nFor system sounds on Windows use "SystemDefault", "SystemAsterisk" etc., and on Linux use "complete", "window-attention" etc.
PREFERENCES_SND_LNGEDITPROCDONE;Editor processing done
PREFERENCES_SND_THRESHOLDSECS;After seconds
PREFERENCES_STARTUPIMDIR;Image Directory at Startup
PREFERENCES_STDAUT;Standard
PREFERENCES_TAB_BROWSER;File Browser
PREFERENCES_TAB_COLORMGR;Color Management
PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
PREFERENCES_TAB_GENERAL;General
PREFERENCES_TAB_IMPROC;Image Processing
PREFERENCES_TAB_PERFORMANCE;Performance & Quality
PREFERENCES_TAB_SOUND;Sounds
PREFERENCES_THEME;Theme
PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Embedded JPEG preview
PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Image to show
PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Neutral raw rendering
PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;Embedded JPEG if fullsize, neutral raw otherwise
PREFERENCES_TIMAX;High
PREFERENCES_TINB;Number of tiles
PREFERENCES_TISTD;Standard
PREFERENCES_TP_LABEL;Tool panel:
PREFERENCES_TP_USEICONORTEXT;Use tab icons instead of text
PREFERENCES_TP_VSCROLLBAR;Hide vertical scrollbar
PREFERENCES_TUNNELMETADATA;Copy Exif/IPTC/XMP unchanged to output file
PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
PREFERENCES_VIEW;Output device's white balance (monitor, TV, projector, viewing, etc.)
PREFERENCES_WAVLEV;Increase wavelet level in quality 'high'
PREFERENCES_WLONE;One level
PREFERENCES_WLTWO;Two levels
PREFERENCES_WLZER;No
PREFERENCES_WORKFLOW;Layout
PROFILEPANEL_COPYPPASTE;Parameters to copy
PROFILEPANEL_GLOBALPROFILES;Bundled profiles
PROFILEPANEL_LABEL;Processing Profiles
PROFILEPANEL_LOADDLGLABEL;Load Processing Parameters...
PROFILEPANEL_LOADPPASTE;Parameters to load
PROFILEPANEL_MODE_TIP;Processing profile fill mode.\n\nButton pressed: partial profiles will be converted to full profiles; the missing values will be replaced with hard-coded defaults.\n\nButton released: profiles will be applied as they are, altering only those values which they contain.
PROFILEPANEL_MYPROFILES;My profiles
PROFILEPANEL_PASTEPPASTE;Parameters to paste
PROFILEPANEL_PCUSTOM;Custom
PROFILEPANEL_PDYNAMIC;Dynamic
PROFILEPANEL_PFILE;From file
PROFILEPANEL_PINTERNAL;Neutral
PROFILEPANEL_PLASTSAVED;Last Saved
PROFILEPANEL_SAVEDLGLABEL;Save Processing Parameters...
PROFILEPANEL_SAVEPPASTE;Parameters to save
PROFILEPANEL_TOOLTIPCOPY;Copy current processing profile to clipboard.\nCtrl-click to select the parameters to copy.
PROFILEPANEL_TOOLTIPLOAD;Load a profile from file.\nCtrl-click to select the parameters to load.
PROFILEPANEL_TOOLTIPPASTE;Paste profile from clipboard.\nCtrl-click to select the parameters to paste.
PROFILEPANEL_TOOLTIPSAVE;Save current profile.\nCtrl-click to select the parameters to save.
PROGRESSBAR_LOADING;Loading image...
PROGRESSBAR_LOADINGTHUMBS;Loading thumbnails...
PROGRESSBAR_LOADJPEG;Loading JPEG file...
PROGRESSBAR_LOADPNG;Loading PNG file...
PROGRESSBAR_LOADTIFF;Loading TIFF file...
PROGRESSBAR_NOIMAGES;No images found
PROGRESSBAR_PROCESSING;Processing image...
PROGRESSBAR_PROCESSING_PROFILESAVED;Processing profile saved
PROGRESSBAR_READY;Ready
PROGRESSBAR_SAVEJPEG;Saving JPEG file...
PROGRESSBAR_SAVEPNG;Saving PNG file...
PROGRESSBAR_SAVETIFF;Saving TIFF file...
PROGRESSBAR_SNAPSHOT_ADDED;Snapshot added
PROGRESSDLG_PROFILECHANGEDINBROWSER;Processing profile changed in browser
QINFO_FRAMECOUNT;%2 frames
QINFO_HDR;HDR / %2 frame(s)
QINFO_ISO;ISO
QINFO_NOEXIF;Exif data not available.
QINFO_PIXELSHIFT;Pixel Shift / %2 frame(s)
SAMPLEFORMAT_0;Unknown data format
SAMPLEFORMAT_1;Unsigned 8 bits
SAMPLEFORMAT_2;Unsigned 16 bits
SAMPLEFORMAT_4;LogLuv 24 bits
SAMPLEFORMAT_8;LogLuv 32 bits
SAMPLEFORMAT_16;32 bits floating point
SAVEDLG_AUTOSUFFIX;Automatically add a suffix if the file already exists
SAVEDLG_FILEFORMAT;File format
SAVEDLG_FORCEFORMATOPTS;Force saving options
SAVEDLG_JPEGQUAL;JPEG quality
SAVEDLG_PUTTOQUEUE;Put into processing queue
SAVEDLG_PUTTOQUEUEHEAD;Put to the head of the processing queue
SAVEDLG_PUTTOQUEUETAIL;Put to the end of the processing queue
SAVEDLG_SAVEIMMEDIATELY;Save immediately
SAVEDLG_SAVESPP;Save processing parameters with image
SAVEDLG_SUBSAMP;Subsampling
SAVEDLG_SUBSAMP_1;Best compression
SAVEDLG_SUBSAMP_2;Balanced
SAVEDLG_SUBSAMP_3;Best quality
SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
SAVEDLG_TIFFUNCOMPRESSED;Uncompressed TIFF
SAVEDLG_WARNFILENAME;File will be named
SHCSELECTOR_TOOLTIP;Click right mouse button to reset the position of those 3 sliders.
SOFTPROOF_GAMUTCHECK_TOOLTIP;Highlight pixels with out-of-gamut colors with respect to:\n- the printer profile, if one is set and soft-proofing is enabled,\n- the output profile, if a printer profile is not set and soft-proofing is enabled,\n- the monitor profile, if soft-proofing is disabled.
SOFTPROOF_TOOLTIP;Soft-proofing simulates the appearance of the image:\n- when printed, if a printer profile is set in Preferences > Color Management,\n- when viewed on a display that uses the current output profile, if a printer profile is not set.
THRESHOLDSELECTOR_B;Bottom
THRESHOLDSELECTOR_BL;Bottom-left
THRESHOLDSELECTOR_BR;Bottom-right
THRESHOLDSELECTOR_HINT;Hold the Shift key to move individual control points.
THRESHOLDSELECTOR_T;Top
THRESHOLDSELECTOR_TL;Top-left
THRESHOLDSELECTOR_TR;Top-right
TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen enabled:\nClick in the preview with left mouse button to add a color picker\nDrag it around while pressing the left mouse button\nDelete the color picker with a right mouse button click\nDelete all color pickers with Shift + Right mouse button click\nRight click away from any color picker to go back to the Hand tool
TOOLBAR_TOOLTIP_CROP;Crop selection.\nShortcut: c\nMove the crop area using Shift-mouse drag
TOOLBAR_TOOLTIP_HAND;Hand tool.\nShortcut: h
TOOLBAR_TOOLTIP_STRAIGHTEN;Straighten / fine rotation.\nShortcut: s\n\nIndicate the vertical or horizontal by drawing a guide line over the image preview. Angle of rotation will be shown next to the guide line. Center of rotation is the geometrical center of the image.
TOOLBAR_TOOLTIP_WB;Spot white balance.\nShortcut: w
TP_BWMIX_ALGO;Algorithm OYCPM
TP_BWMIX_ALGO_LI;Linear
TP_BWMIX_ALGO_SP;Special effects
TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal linear response.\nSpecial effects: will produce special effects by mixing channels non-linearly.
TP_BWMIX_AUTOCH;Auto
TP_BWMIX_AUTOCH_TIP;Calculate values optimizing Channel Mixer.
TP_BWMIX_CC_ENABLED;Adjust complementary color
TP_BWMIX_CC_TOOLTIP;Enable to allow automatic adjustment of complementary colors in ROYGCBPM mode.
TP_BWMIX_CHANNEL;Luminance equalizer
TP_BWMIX_CURVEEDITOR1;'Before' curve
TP_BWMIX_CURVEEDITOR2;'After' curve
TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&W conversion, at the end of treatment.
TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&W conversion.\nMay take into account the color components.
TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
TP_BWMIX_FILTER;Color Filter
TP_BWMIX_FILTER_BLUE;Blue
TP_BWMIX_FILTER_BLUEGREEN;Blue-Green
TP_BWMIX_FILTER_GREEN;Green
TP_BWMIX_FILTER_GREENYELLOW;Green-Yellow
TP_BWMIX_FILTER_NONE;None
TP_BWMIX_FILTER_PURPLE;Purple
TP_BWMIX_FILTER_RED;Red
TP_BWMIX_FILTER_REDYELLOW;Red-Yellow
TP_BWMIX_FILTER_TOOLTIP;The color filter simulates shots taken with a colored filter placed in front of the lens. Colored filters reduce the transmission of specific color ranges and therefore affect their lightness. E.g. a red filter darkens blue skies.
TP_BWMIX_FILTER_YELLOW;Yellow
TP_BWMIX_GAMMA;Gamma Correction
TP_BWMIX_GAM_TOOLTIP;Correct gamma for each RGB channel.
TP_BWMIX_LABEL;Black-and-White
TP_BWMIX_MET;Method
TP_BWMIX_MET_CHANMIX;Channel Mixer
TP_BWMIX_MET_DESAT;Desaturation
TP_BWMIX_MET_LUMEQUAL;Luminance Equalizer
TP_BWMIX_MIXC;Mixer
TP_BWMIX_NEUTRAL;Reset mixer
TP_BWMIX_NEUTRAL_TIP;Reset all values (Color Filter, Channel Mixer) to default.
TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Total: %4%%
TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n"Total" displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
TP_BWMIX_SETTING;Presets
TP_BWMIX_SETTING_TOOLTIP;Different presets (film, landscape, etc.) or manual Channel Mixer settings.
TP_BWMIX_SET_HIGHCONTAST;High contrast
TP_BWMIX_SET_HIGHSENSIT;High Sensitivity
TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
TP_BWMIX_SET_INFRARED;Infrared
TP_BWMIX_SET_LANDSCAPE;Landscape
TP_BWMIX_SET_LOWSENSIT;Low Sensitivity
TP_BWMIX_SET_LUMINANCE;Luminance
TP_BWMIX_SET_NORMCONTAST;Normal Contrast
TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
TP_BWMIX_SET_PANCHRO;Panchromatic
TP_BWMIX_SET_PORTRAIT;Portrait
TP_BWMIX_SET_RGBABS;Absolute RGB
TP_BWMIX_SET_RGBREL;Relative RGB
TP_BWMIX_SET_ROYGCBPMABS;Absolute ROYGCBPM
TP_BWMIX_SET_ROYGCBPMREL;Relative ROYGCBPM
TP_BWMIX_TCMODE_FILMLIKE;B&W Film-like
TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
TP_BWMIX_TCMODE_STANDARD;B&W Standard
TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Weighted Standard
TP_BWMIX_VAL;L
TP_CACORRECTION_BLUE;Blue
TP_CACORRECTION_LABEL;Chromatic Aberration Correction
TP_CACORRECTION_RED;Red
TP_CBDL_AFT;After Black-and-White
TP_CBDL_BEF;Before Black-and-White
TP_CBDL_METHOD;Process located
TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
TP_CHMIXER_BLUE;Blue channel
TP_CHMIXER_GREEN;Green channel
TP_CHMIXER_LABEL;Channel Mixer
TP_CHMIXER_RED;Red channel
TP_CHROMATABERR_LABEL;Chromatic Aberration
TP_COARSETRAF_TOOLTIP_HFLIP;Flip horizontally.
TP_COARSETRAF_TOOLTIP_ROTLEFT;Rotate left.\n\nShortcuts:\n[ - Multiple Editor Tabs Mode,\nAlt-[ - Single Editor Tab Mode.
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Rotate right.\n\nShortcuts:\n] - Multiple Editor Tabs Mode,\nAlt-] - Single Editor Tab Mode.
TP_COARSETRAF_TOOLTIP_VFLIP;Flip vertically.
TP_COLORAPP_ADAPTSCENE;Scene absolute luminance
TP_COLORAPP_ADAPTSCENE_TOOLTIP;Absolute luminance of the scene environment (cd/m²).\n1) Calculated from the Exif data:\nShutter speed - ISO speed - F number - camera exposure correction.\n2) Calculated from the raw white point and RT's Exposure Compensation slider.
TP_COLORAPP_ADAPTVIEWING;Viewing absolute luminance (cd/m²)
TP_COLORAPP_ADAPTVIEWING_TOOLTIP;Absolute luminance of the viewing environment\n(usually 16cd/m²).
TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RawTherapee calculates an optimum value from the Exif data.\nTo set the value manually, uncheck the checkbox first.
TP_COLORAPP_ALGO;Algorithm
TP_COLORAPP_ALGO_ALL;All
TP_COLORAPP_ALGO_JC;Lightness + Chroma (JC)
TP_COLORAPP_ALGO_JS;Lightness + Saturation (JS)
TP_COLORAPP_ALGO_QM;Brightness + Colorfulness (QM)
TP_COLORAPP_ALGO_TOOLTIP;Lets you choose between parameter subsets or all parameters.
TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
TP_COLORAPP_BRIGHT;Brightness (Q)
TP_COLORAPP_BRIGHT_TOOLTIP;Brightness in CIECAM02 takes into account the white's luminosity and differs from L*a*b* and RGB brightness.
TP_COLORAPP_CHROMA;Chroma (C)
TP_COLORAPP_CHROMA_M;Colorfulnes (M)
TP_COLORAPP_CHROMA_M_TOOLTIP;Colorfulness in CIECAM02 differs from L*a*b* and RGB colorfulness.
TP_COLORAPP_CHROMA_S;Saturation (S)
TP_COLORAPP_CHROMA_S_TOOLTIP;Saturation in CIECAM02 differs from L*a*b* and RGB saturation.
TP_COLORAPP_CHROMA_TOOLTIP;Chroma in CIECAM02 differs from L*a*b* and RGB chroma.
TP_COLORAPP_CIECAT_DEGREE;CAT02 adaptation
TP_COLORAPP_CONTRAST;Contrast (J)
TP_COLORAPP_CONTRAST_Q;Contrast (Q)
TP_COLORAPP_CONTRAST_Q_TOOLTIP;Differs from L*a*b* and RGB contrast.
TP_COLORAPP_CONTRAST_TOOLTIP;Differs from L*a*b* and RGB contrast.
TP_COLORAPP_CURVEEDITOR1;Tone curve 1
TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Shows the histogram of L* (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of J or Q after CIECAM02.\n\nJ and Q are not shown in the main histogram panel.\n\nFor final output refer to the main histogram panel.
TP_COLORAPP_CURVEEDITOR2;Tone curve 2
TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Same usage as with the second exposure tone curve.
TP_COLORAPP_CURVEEDITOR3;Color curve
TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Adjust either chroma, saturation or colorfulness.\n\nShows the histogram of chromaticity (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of C, s or M after CIECAM02.\n\nC, s and M are not shown in the main histogram panel.\nFor final output refer to the main histogram panel.
TP_COLORAPP_DATACIE;CIECAM02 output histograms in curves
TP_COLORAPP_DATACIE_TOOLTIP;When enabled, histograms in CIECAM02 curves show approximate values/ranges for J or Q, and C, s or M after the CIECAM02 adjustments.\nThis selection does not impact the main histogram panel.\n\nWhen disabled, histograms in CIECAM02 curves show L*a*b* values before CIECAM02 adjustments.
TP_COLORAPP_DEGREE_AUTO_TOOLTIP;If the check-box is checked (recommended), RawTherapee calculates an optimum value, which is then used by CAT02, and also for the entire CIECAM02.\nTo set the value manually, uncheck the check-box first (values above 65 are recommended).
TP_COLORAPP_DEGREE_TOOLTIP;Amount of CIE Chromatic Adaptation Transform 2002.
TP_COLORAPP_FREE;Free temp+green + CAT02 + [output]
TP_COLORAPP_GAMUT;Gamut control (L*a*b*)
TP_COLORAPP_GAMUT_TOOLTIP;Allow gamut control in L*a*b* mode.
TP_COLORAPP_HUE;Hue (h)
TP_COLORAPP_HUE_TOOLTIP;Hue (h) - angle between 0° and 360°.
TP_COLORAPP_LABEL;CIE Color Appearance Model 2002
TP_COLORAPP_LABEL_CAM02;Image Adjustments
TP_COLORAPP_LABEL_SCENE;Scene Conditions
TP_COLORAPP_LABEL_VIEWING;Viewing Conditions
TP_COLORAPP_LIGHT;Lightness (J)
TP_COLORAPP_LIGHT_TOOLTIP;Lightness in CIECAM02 differs from L*a*b* and RGB lightness.
TP_COLORAPP_MODEL;WP Model
TP_COLORAPP_MODEL_TOOLTIP;White-Point Model.\n\nWB [RT] + [output]: RT's white balance is used for the scene, CIECAM02 is set to D50, and the output device's white balance is set in Viewing Conditions.\n\nWB [RT+CAT02] + [output]: RT's white balance settings are used by CAT02 and the output device's white balance is set in Viewing Conditions.\n\nFree temp+green + CAT02 + [output]: temp and green are selected bu user, output device's white balance is set in Viewing Conditions.
TP_COLORAPP_NEUTRAL;Reset
TP_COLORAPP_NEUTRAL_TIP;Reset all sliders checkbox and curves to their default values
TP_COLORAPP_RSTPRO;Red & skin-tones protection
TP_COLORAPP_RSTPRO_TOOLTIP;Red & skin-tones protection affects both sliders and curves.
TP_COLORAPP_SHARPCIE;--unused--
TP_COLORAPP_SHARPCIE_TOOLTIP;--unused--
TP_COLORAPP_SURROUND;Surround
TP_COLORAPP_SURROUND_AVER;Average
TP_COLORAPP_SURROUND_DARK;Dark
TP_COLORAPP_SURROUND_DIM;Dim
TP_COLORAPP_SURROUND_EXDARK;Extremly Dark (Cutsheet)
TP_COLORAPP_SURROUND_TOOLTIP;Changes tones and colors to take into account the viewing conditions of the output device.\n\nAverage: Average light environment (standard). The image will not change.\n\nDim: Dim environment (TV). The image will become slighty dark.\n\nDark: Dark environment (projector). The image will become more dark.\n\nExtremly Dark: Extremly dark environment (cutsheet). The image will become very dark.
TP_COLORAPP_SURSOURCE;Dark surround
TP_COLORAPP_SURSOURCE_TOOLTIP;Can be used if image has a dark border.
TP_COLORAPP_TCMODE_BRIGHTNESS;Brightness
TP_COLORAPP_TCMODE_CHROMA;Chroma
TP_COLORAPP_TCMODE_COLORF;Colorfulness
TP_COLORAPP_TCMODE_LABEL1;Curve mode 1
TP_COLORAPP_TCMODE_LABEL2;Curve mode 2
TP_COLORAPP_TCMODE_LABEL3;Curve chroma mode
TP_COLORAPP_TCMODE_LIGHTNESS;Lightness
TP_COLORAPP_TCMODE_SATUR;Saturation
TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant, always set Tint=1.\n\nA temp=2856\nD50 temp=5003\nD55 temp=5503\nD65 temp=6504\nD75 temp=7504
TP_COLORAPP_TONECIE;Tone mapping using CIECAM02
TP_COLORAPP_TONECIE_TOOLTIP;If this option is disabled, tone mapping is done in L*a*b* space.\nIf this option is enabled, tone mapping is done using CIECAM02.\nThe Tone Mapping tool must be enabled for this setting to take effect.
TP_COLORAPP_WBCAM;WB [RT+CAT02] + [output]
TP_COLORAPP_WBRT;WB [RT] + [output]
TP_COLORAPP_YB;Yb% (mean luminance)
TP_COLORAPP_YBSCENE;Yb% (mean luminance)
TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance
TP_COLORTONING_AB;o C/L
TP_COLORTONING_AUTOSAT;Automatic
TP_COLORTONING_BALANCE;Balance
TP_COLORTONING_BY;o C/L
TP_COLORTONING_CHROMAC;Opacity
TP_COLORTONING_COLOR;Color
TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L)
TP_COLORTONING_HIGHLIGHT;Highlights
TP_COLORTONING_HUE;Hue
TP_COLORTONING_LAB;L*a*b* blending
TP_COLORTONING_LABEL;Color Toning
TP_COLORTONING_LABGRID;L*a*b* color correction grid
TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
TP_COLORTONING_LUMA;Luminance
TP_COLORTONING_LUMAMODE;Preserve luminance
TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
TP_COLORTONING_METHOD;Method
TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
TP_COLORTONING_MIDTONES;Midtones
TP_COLORTONING_NEUTRAL;Reset sliders
TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
TP_COLORTONING_OPACITY;Opacity
TP_COLORTONING_RGBCURVES;RGB - Curves
TP_COLORTONING_RGBSLIDERS;RGB - Sliders
TP_COLORTONING_SA;Saturation Protection
TP_COLORTONING_SATURATEDOPACITY;Strength
TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
TP_COLORTONING_SHADOWS;Shadows
TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
TP_COLORTONING_SPLITLR;Saturation 2 colors
TP_COLORTONING_STR;Strength
TP_COLORTONING_STRENGTH;Strength
TP_COLORTONING_TWO2;Special chroma '2 colors'
TP_COLORTONING_TWOALL;Special chroma
TP_COLORTONING_TWOBY;Special a* and b*
TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
TP_COLORTONING_TWOSTD;Standard chroma
TP_CROP_FIXRATIO;Lock ratio
TP_CROP_GTDIAGONALS;Rule of Diagonals
TP_CROP_GTEPASSPORT;Biometric Passport
TP_CROP_GTFRAME;Frame
TP_CROP_GTGRID;Grid
TP_CROP_GTHARMMEANS;Harmonic Means
TP_CROP_GTNONE;None
TP_CROP_GTRULETHIRDS;Rule of Thirds
TP_CROP_GTTRIANGLE1;Golden Triangles 1
TP_CROP_GTTRIANGLE2;Golden Triangles 2
TP_CROP_GUIDETYPE;Guide type:
TP_CROP_H;Height
TP_CROP_LABEL;Crop
TP_CROP_PPI;PPI=
TP_CROP_SELECTCROP;Select Crop
TP_CROP_W;Width
TP_CROP_X;X
TP_CROP_Y;Y
TP_DARKFRAME_AUTOSELECT;Auto-selection
TP_DARKFRAME_LABEL;Dark-Frame
TP_DEFRINGE_LABEL;Defringe
TP_DEFRINGE_RADIUS;Radius
TP_DEFRINGE_THRESHOLD;Threshold
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
TP_DIRPYRDENOISE_ENH;Enhanced mode
TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
TP_DIRPYRDENOISE_LABEL;Noise Reduction
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
TP_DIRPYRDENOISE_MAIN_MODE;Mode
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
TP_DIRPYRDENOISE_SLI;Slider
TP_DIRPYRDENOISE_TYPE_3X3;3×3
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
TP_DIRPYRDENOISE_TYPE_5X5;5×5
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
TP_DIRPYRDENOISE_TYPE_7X7;7×7
TP_DIRPYRDENOISE_TYPE_9X9;9×9
TP_DIRPYREQUALIZER_ALGO;Skin Color Range
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
TP_DIRPYREQUALIZER_HUESKIN;Skin hue
TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the white balance is incorrect\nYou can slightly reduce the zone to prevent the rest of the image is affected.
TP_DIRPYREQUALIZER_LABEL;Contrast by Detail Levels
TP_DIRPYREQUALIZER_LUMACOARSEST;Coarsest
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast -
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contrast +
TP_DIRPYREQUALIZER_LUMAFINEST;Finest
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutral
TP_DIRPYREQUALIZER_SKIN;Skin targetting/protection
TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
TP_DIRPYREQUALIZER_THRESHOLD;Threshold
TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
TP_DISTORTION_AMOUNT;Amount
TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
TP_DISTORTION_LABEL;Distortion Correction
TP_EPD_EDGESTOPPING;Edge stopping
TP_EPD_GAMMA;Gamma
TP_EPD_LABEL;Tone Mapping
TP_EPD_REWEIGHTINGITERATES;Reweighting iterates
TP_EPD_SCALE;Scale
TP_EPD_STRENGTH;Strength
TP_EPD_TOOLTIP;Tone mapping is possible in L*a*b* mode (standard) and CIECAM02 mode.\n\nWhen in L*a*b* mode, tone mapping can also be used on the residual image of the Wavelet Levels tool.\n\nTo engage CIECAM02 tone mapping mode enable the following settings:\n1. CIECAM02\n2. Algorithm="Brightness + Colorfulness (QM)"\n3. "Tone mapping using CIECAM02 brightness (Q)"
TP_EXPOSURE_AUTOLEVELS;Auto Levels
TP_EXPOSURE_AUTOLEVELS_TIP;Toggles execution of Auto Levels to automatically set Exposure slider values based on an image analysis.\nEnables Highlight Reconstruction if necessary.
TP_EXPOSURE_BLACKLEVEL;Black
TP_EXPOSURE_BRIGHTNESS;Lightness
TP_EXPOSURE_CLIP;Clip %
TP_EXPOSURE_CLIP_TIP;The fraction of pixels to be clipped in Auto Levels operation.
TP_EXPOSURE_COMPRHIGHLIGHTS;Highlight compression
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Highlight compression threshold
TP_EXPOSURE_COMPRSHADOWS;Shadow compression
TP_EXPOSURE_CONTRAST;Contrast
TP_EXPOSURE_CURVEEDITOR1;Tone curve 1
TP_EXPOSURE_CURVEEDITOR2;Tone curve 2
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Please refer to the "Exposure > Tone Curves" RawPedia article to learn how to achieve the best results by using two tone curves.
TP_EXPOSURE_EXPCOMP;Exposure compensation
TP_EXPOSURE_HISTMATCHING;Auto-matched Tone Curve
TP_EXPOSURE_HISTMATCHING_TOOLTIP;Automatically adjust sliders and curves (except exposure compensation) to match the look of the embedded JPEG thumbnail.
TP_EXPOSURE_LABEL;Exposure
TP_EXPOSURE_SATURATION;Saturation
TP_EXPOSURE_TCMODE_FILMLIKE;Film-like
TP_EXPOSURE_TCMODE_LABEL1;Curve mode 1
TP_EXPOSURE_TCMODE_LABEL2;Curve mode 2
TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturation and Value Blending
TP_EXPOSURE_TCMODE_STANDARD;Standard
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Weighted Standard
TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
TP_FILMSIMULATION_LABEL;Film Simulation
TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
TP_FILMSIMULATION_STRENGTH;Strength
TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
TP_FLATFIELD_AUTOSELECT;Auto-selection
TP_FLATFIELD_BLURRADIUS;Blur radius
TP_FLATFIELD_BLURTYPE;Blur type
TP_FLATFIELD_BT_AREA;Area
TP_FLATFIELD_BT_HORIZONTAL;Horizontal
TP_FLATFIELD_BT_VERTHORIZ;Vertical + Horizontal
TP_FLATFIELD_BT_VERTICAL;Vertical
TP_FLATFIELD_CLIPCONTROL;Clip control
TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
TP_FLATFIELD_LABEL;Flat-Field
TP_GAMMA_CURV;Gamma
TP_GAMMA_FREE;Free gamma
TP_GAMMA_OUTPUT;Output gamma
TP_GAMMA_SLOP;Slope (linear)
TP_GENERAL_11SCALE_TOOLTIP;The effects of this tool are only visible or only accurate at a preview scale of 1:1.
TP_GRADIENT_CENTER;Center
TP_GRADIENT_CENTER_X;Center X
TP_GRADIENT_CENTER_X_TOOLTIP;Shift gradient to the left (negative values) or right (positive values).
TP_GRADIENT_CENTER_Y;Center Y
TP_GRADIENT_CENTER_Y_TOOLTIP;Shift gradient up (negative values) or down (positive values).
TP_GRADIENT_DEGREE;Angle
TP_GRADIENT_DEGREE_TOOLTIP;Rotation angle in degrees.
TP_GRADIENT_FEATHER;Feather
TP_GRADIENT_FEATHER_TOOLTIP;Gradient width in percent of the image diagonal.
TP_GRADIENT_LABEL;Graduated Filter
TP_GRADIENT_STRENGTH;Strength
TP_GRADIENT_STRENGTH_TOOLTIP;Filter strength in stops.
TP_HLREC_BLEND;Blend
TP_HLREC_CIELAB;CIELab Blending
TP_HLREC_COLOR;Color Propagation
TP_HLREC_ENA_TOOLTIP;Could be activated by Auto Levels.
TP_HLREC_LABEL;Highlight reconstruction
TP_HLREC_LUMINANCE;Luminance Recovery
TP_HLREC_METHOD;Method:
TP_HSVEQUALIZER_CHANNEL;Channel
TP_HSVEQUALIZER_HUE;H
TP_HSVEQUALIZER_LABEL;HSV Equalizer
TP_HSVEQUALIZER_SAT;S
TP_HSVEQUALIZER_VAL;V
TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
TP_ICM_APPLYHUESATMAP;Base table
TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
TP_ICM_APPLYLOOKTABLE;Look table
TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
TP_ICM_BLENDCMSMATRIX;Blend ICC highlights with matrix
TP_ICM_BLENDCMSMATRIX_TOOLTIP;Enable to recover clipped highlights when using LUT-based ICC profiles.
TP_ICM_BPC;Black Point Compensation
TP_ICM_DCPILLUMINANT;Illuminant
TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolated
TP_ICM_DCPILLUMINANT_TOOLTIP;Select which embedded DCP illuminant to employ. Default is "interpolated" which is a mix between the two based on white balance. The setting is only available if a dual-illuminant DCP with interpolation support is selected.
TP_ICM_INPUTCAMERA;Camera standard
TP_ICM_INPUTCAMERAICC;Auto-matched camera profile
TP_ICM_INPUTCAMERAICC_TOOLTIP;Use RawTherapee's camera-specific DCP or ICC input color profiles. These profiles are more precise than simpler matrix ones. They are not available for all cameras. These profiles are stored in the /iccprofiles/input and /dcpprofiles folders and are automatically retrieved based on a file name matching to the exact model name of the camera.
TP_ICM_INPUTCAMERA_TOOLTIP;Use a simple color matrix from dcraw, an enhanced RawTherapee version (whichever is available based on camera model) or one embedded in the DNG.
TP_ICM_INPUTCUSTOM;Custom
TP_ICM_INPUTCUSTOM_TOOLTIP;Select your own DCP/ICC color profile file for the camera.
TP_ICM_INPUTDLGLABEL;Select Input DCP/ICC Profile...
TP_ICM_INPUTEMBEDDED;Use embedded, if possible
TP_ICM_INPUTEMBEDDED_TOOLTIP;Use color profile embedded in non-raw files.
TP_ICM_INPUTNONE;No profile
TP_ICM_INPUTNONE_TOOLTIP;Use no input color profile at all.\nUse only in special cases.
TP_ICM_INPUTPROFILE;Input Profile
TP_ICM_LABEL;Color Management
TP_ICM_NOICM;No ICM: sRGB Output
TP_ICM_OUTPUTPROFILE;Output Profile
TP_ICM_PROFILEINTENT;Rendering Intent
TP_ICM_SAVEREFERENCE;Save Reference Image
TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
TP_ICM_TONECURVE;Tone curve
TP_ICM_TONECURVE_TOOLTIP;Employ the embedded DCP tone curve. The setting is only available if the selected DCP has a tone curve.
TP_ICM_WORKINGPROFILE;Working Profile
TP_IMPULSEDENOISE_LABEL;Impulse Noise Reduction
TP_IMPULSEDENOISE_THRESH;Threshold
TP_LABCURVE_AVOIDCOLORSHIFT;Avoid color shift
TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction.
TP_LABCURVE_BRIGHTNESS;Lightness
TP_LABCURVE_CHROMATICITY;Chromaticity
TP_LABCURVE_CHROMA_TOOLTIP;To apply B&W toning, set Chromaticity to -100.
TP_LABCURVE_CONTRAST;Contrast
TP_LABCURVE_CURVEEDITOR;Luminance Curve
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Green Saturated
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Green Pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Red Pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Red Saturated
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blue Saturated
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blue Pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Yellow Pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Yellow Saturated
TP_LABCURVE_CURVEEDITOR_CC;CC
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutral
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Dull
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturated
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Chromaticity according to chromaticity C=f(C)
TP_LABCURVE_CURVEEDITOR_CH;CH
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Chromaticity according to hue C=f(H)
TP_LABCURVE_CURVEEDITOR_CL;CL
TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromaticity according to luminance C=f(L)
TP_LABCURVE_CURVEEDITOR_HH;HH
TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Hue according to hue H=f(H)
TP_LABCURVE_CURVEEDITOR_LC;LC
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminance according to chromaticity L=f(C)
TP_LABCURVE_CURVEEDITOR_LH;LH
TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L)
TP_LABCURVE_LABEL;L*a*b* Adjustments
TP_LABCURVE_LCREDSK;Restrict LC to red and skin-tones
TP_LABCURVE_LCREDSK_TIP;If enabled, the LC Curve affects only red and skin-tones.\nIf disabled, it applies to all tones.
TP_LABCURVE_RSTPROTECTION;Red and skin-tones protection
TP_LABCURVE_RSTPRO_TOOLTIP;Works on the Chromaticity slider and the CC curve.
TP_LENSGEOM_AUTOCROP;Auto-Crop
TP_LENSGEOM_FILL;Auto-fill
TP_LENSGEOM_LABEL;Lens / Geometry
TP_LENSPROFILE_LABEL;Profiled Lens Correction
TP_LENSPROFILE_USECA;Chromatic aberration correction
TP_LENSPROFILE_USEDIST;Distortion correction
TP_LENSPROFILE_USEVIGN;Vignetting correction
TP_LOCALCONTRAST_AMOUNT;Amount
TP_LOCALCONTRAST_DARKNESS;Darkness level
TP_LOCALCONTRAST_LABEL;Local Contrast
TP_LOCALCONTRAST_LIGHTNESS;Lightness level
TP_LOCALCONTRAST_RADIUS;Radius
TP_METADATA_EDIT;Apply modifications
TP_METADATA_MODE;Metadata copy mode
TP_METADATA_STRIP;Strip all metadata
TP_METADATA_TUNNEL;Copy unchanged
TP_NEUTRAL;Reset
TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
TP_PCVIGNETTE_FEATHER;Feather
TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
TP_PCVIGNETTE_LABEL;Vignette Filter
TP_PCVIGNETTE_ROUNDNESS;Roundness
TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Roundness:\n0 = rectangle,\n50 = fitted ellipse,\n100 = circle.
TP_PCVIGNETTE_STRENGTH;Strength
TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filter strength in stops (reached in corners).
TP_PERSPECTIVE_HORIZONTAL;Horizontal
TP_PERSPECTIVE_LABEL;Perspective
TP_PERSPECTIVE_VERTICAL;Vertical
TP_PFCURVE_CURVEEDITOR_CH;Hue
TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
TP_PREPROCESS_GREENEQUIL;Green equilibration
TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
TP_PREPROCESS_LABEL;Preprocessing
TP_PREPROCESS_LINEDENOISE;Line noise filter
TP_PREPROCESS_LINEDENOISE_DIRECTION;Direction
TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Both
TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal only on PDAF rows
TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
TP_PREPROCESS_NO_FOUND;None found
TP_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
TP_PREPROCESS_PDAFLINESFILTER_TOOLTIP;Tries to suppress stripe noise caused by on-sensor PDAF pixels, occurring with some Sony mirrorless cameras on some backlit scenes with visible flare.
TP_PRSHARPENING_LABEL;Post-Resize Sharpening
TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
TP_RAWCACORR_AUTO;Auto-correction
TP_RAWCACORR_CABLUE;Blue
TP_RAWCACORR_CARED;Red
TP_RAWCACORR_CASTR;Strength
TP_RAWEXPOS_BLACKS;Black Levels
TP_RAWEXPOS_BLACK_0;Green 1 (lead)
TP_RAWEXPOS_BLACK_1;Red
TP_RAWEXPOS_BLACK_2;Blue
TP_RAWEXPOS_BLACK_3;Green 2
TP_RAWEXPOS_BLACK_BLUE;Blue
TP_RAWEXPOS_BLACK_GREEN;Green
TP_RAWEXPOS_BLACK_RED;Red
TP_RAWEXPOS_LINEAR;White-point correction
TP_RAWEXPOS_PRESER;Highlight preservation
TP_RAWEXPOS_RGB;Red, Green, Blue
TP_RAWEXPOS_TWOGREEN;Link greens
TP_RAW_1PASSMEDIUM;1-Pass (Medium)
TP_RAW_3PASSBEST;3-Pass (Best)
TP_RAW_AHD;AHD
TP_RAW_AMAZE;AMaZE
TP_RAW_DCB;DCB
TP_RAW_DCBENHANCE;DCB enhancement
TP_RAW_DCBITERATIONS;Number of DCB iterations
TP_RAW_DMETHOD;Method
TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
TP_RAW_EAHD;EAHD
TP_RAW_FALSECOLOR;False color suppression steps
TP_RAW_FAST;Fast
TP_RAW_HD;Threshold
TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
TP_RAW_HPHD;HPHD
TP_RAW_IGV;IGV
TP_RAW_IMAGENUM;Sub-image
TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
TP_RAW_LABEL;Demosaicing
TP_RAW_LMMSE;LMMSE
TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
TP_RAW_MONO;Mono
TP_RAW_NONE;None (Shows sensor pattern)
TP_RAW_PIXELSHIFT;Pixel Shift
TP_RAW_PIXELSHIFTADAPTIVE;Adaptive detection
TP_RAW_PIXELSHIFTBLUR;Blur motion mask
TP_RAW_PIXELSHIFTEPERISO;ISO adaption
TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nIncrease the value to improve motion detection for higher ISO.\nIncrease in small steps and watch the motion mask while increasing.
TP_RAW_PIXELSHIFTEQUALBRIGHT;Equalize brightness of frames
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta colour cast in overexposed areas or enable motion correction.
TP_RAW_PIXELSHIFTEXP0;Experimental
TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
TP_RAW_PIXELSHIFTHOLEFILL;Fill holes in motion mask
TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Fill holes in motion mask
TP_RAW_PIXELSHIFTLMMSE;Use LMMSE for moving parts
TP_RAW_PIXELSHIFTLMMSE_TOOLTIP;Use LMMSE instead of AMaZE for areas of motion.\nUseful for high ISO images.
TP_RAW_PIXELSHIFTMASKTHRESHOLD;3x3 new threshold
TP_RAW_PIXELSHIFTMEDIAN;Use median for moving parts
TP_RAW_PIXELSHIFTMEDIAN3;Exclude selected frame from median
TP_RAW_PIXELSHIFTMEDIAN3_TOOLTIP;Excludes selected frame from median.\nUseful if moving objects overlap in frame 2 and 3
TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
TP_RAW_PIXELSHIFTMM_AUTO;Automatic
TP_RAW_PIXELSHIFTMM_CUSTOM;Custom
TP_RAW_PIXELSHIFTMM_OFF;Off
TP_RAW_PIXELSHIFTMOTION;Motion detection level (deprecated)
TP_RAW_PIXELSHIFTMOTIONCORRECTION;Green motion correction size
TP_RAW_PIXELSHIFTMOTIONMETHOD;Motion Correction
TP_RAW_PIXELSHIFTMOTION_TOOLTIP;0 means no motion detection.\n1 - 99 means motion will be detected according to this value. Increase value to increase detection rate.\n100 means the AMaZE-demosaiced frame will be used.
TP_RAW_PIXELSHIFTNONGREENAMAZE;Check red/blue AMaZE
TP_RAW_PIXELSHIFTNONGREENCROSS;Check red/blue channels for motion
TP_RAW_PIXELSHIFTNONGREENCROSS2;Check green AMaZE
TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
TP_RAW_PIXELSHIFTNREADISO;nRead
TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
TP_RAW_PIXELSHIFTPRNU;PRNU (%)
TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Show only motion mask
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Shows the motion mask without the image.
TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a mask showing the regions with motion.
TP_RAW_PIXELSHIFTSIGMA;Blur radius
TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether "Use LMMSE" is selected), or the median of all four frames if "Use median" is selected.
TP_RAW_PIXELSHIFTSTDDEVFACTORBLUE;StdDev factor Blue
TP_RAW_PIXELSHIFTSTDDEVFACTORGREEN;StdDev factor Green
TP_RAW_PIXELSHIFTSTDDEVFACTORRED;StdDev factor Red
TP_RAW_RCD;RCD
TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
TP_RAW_VNG4;VNG4
TP_RESIZE_APPLIESTO;Applies to:
TP_RESIZE_CROPPEDAREA;Cropped Area
TP_RESIZE_FITBOX;Bounding Box
TP_RESIZE_FULLIMAGE;Full Image
TP_RESIZE_H;Height:
TP_RESIZE_HEIGHT;Height
TP_RESIZE_LABEL;Resize
TP_RESIZE_LANCZOS;Lanczos
TP_RESIZE_METHOD;Method:
TP_RESIZE_NEAREST;Nearest
TP_RESIZE_SCALE;Scale
TP_RESIZE_SPECIFY;Specify:
TP_RESIZE_W;Width:
TP_RESIZE_WIDTH;Width
TP_RETINEX_CONTEDIT_HSL;Histogram equalizer HSL
TP_RETINEX_CONTEDIT_LAB;Histogram equalizer L*a*b*
TP_RETINEX_CONTEDIT_LH;Hue equalizer
TP_RETINEX_CONTEDIT_MAP;Mask equalizer
TP_RETINEX_CURVEEDITOR_CD;L=f(L)
TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the "Highlight" retinex method.
TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
TP_RETINEX_EQUAL;Equalizer
TP_RETINEX_FREEGAMMA;Free gamma
TP_RETINEX_GAIN;Gain
TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
TP_RETINEX_GAINTRANSMISSION;Gain transmission
TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Amplify or reduce transmission map to achieve luminance.\nAbscissa: transmission -min from 0, mean, and values (max).\nOrdinate: gain.
TP_RETINEX_GAIN_TOOLTIP;Acts on the restored image.\n\nThis is very different from the others settings. Used for black or white pixels, and to help balance the histogram.
TP_RETINEX_GAMMA;Gamma
TP_RETINEX_GAMMA_FREE;Free
TP_RETINEX_GAMMA_HIGH;High
TP_RETINEX_GAMMA_LOW;Low
TP_RETINEX_GAMMA_MID;Middle
TP_RETINEX_GAMMA_NONE;None
TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
TP_RETINEX_GRAD;Transmission gradient
TP_RETINEX_GRADS;Strength gradient
TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
TP_RETINEX_HIGH;High
TP_RETINEX_HIGHLIG;Highlight
TP_RETINEX_HIGHLIGHT;Highlight threshold
TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust "Neighboring pixels" and to increase the "White-point correction" in the Raw tab -> Raw White Points tool.
TP_RETINEX_HSLSPACE_LIN;HSL-Linear
TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
TP_RETINEX_ITER;Iterations (Tone-mapping)
TP_RETINEX_ITERF;Tone mapping
TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
TP_RETINEX_LABEL;Retinex
TP_RETINEX_LABEL_MASK;Mask
TP_RETINEX_LABSPACE;L*a*b*
TP_RETINEX_LOW;Low
TP_RETINEX_MAP;Mask method
TP_RETINEX_MAP_GAUS;Gaussian mask
TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
TP_RETINEX_MAP_NONE;None
TP_RETINEX_MEDIAN;Transmission median filter
TP_RETINEX_METHOD;Method
TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
TP_RETINEX_MLABEL;Restored haze-free Min=%1 Max=%2
TP_RETINEX_MLABEL_TOOLTIP;Should be near min=0 max=32768\nRestored image with no mixture.
TP_RETINEX_NEIGHBOR;Radius
TP_RETINEX_NEUTRAL;Reset
TP_RETINEX_NEUTRAL_TIP;Reset all sliders and curves to their default values.
TP_RETINEX_OFFSET;Offset (brightness)
TP_RETINEX_SCALES;Gaussian gradient
TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
TP_RETINEX_SETTINGS;Settings
TP_RETINEX_SKAL;Scale
TP_RETINEX_SLOPE;Free gamma slope
TP_RETINEX_STRENGTH;Strength
TP_RETINEX_THRESHOLD;Threshold
TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sigma=%4
TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
TP_RETINEX_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nMean and Sigma.\nTm=Min TM=Max of transmission map.
TP_RETINEX_TRANF;Transmission
TP_RETINEX_TRANSMISSION;Transmission map
TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
TP_RETINEX_UNIFORM;Uniform
TP_RETINEX_VARIANCE;Contrast
TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
TP_RETINEX_VIEW;Process
TP_RETINEX_VIEW_MASK;Mask
TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
TP_RETINEX_VIEW_NONE;Standard
TP_RETINEX_VIEW_TRAN;Transmission - Auto
TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
TP_RETINEX_VIEW_UNSHARP;Unsharp mask
TP_RGBCURVES_BLUE;B
TP_RGBCURVES_CHANNEL;Channel
TP_RGBCURVES_GREEN;G
TP_RGBCURVES_LABEL;RGB Curves
TP_RGBCURVES_LUMAMODE;Luminosity mode
TP_RGBCURVES_LUMAMODE_TOOLTIP;Luminosity mode allows to vary the contribution of R, G and B channels to the luminosity of the image, without altering image color.
TP_RGBCURVES_RED;R
TP_ROTATE_DEGREE;Degree
TP_ROTATE_LABEL;Rotate
TP_ROTATE_SELECTLINE;Select Straight Line
TP_SAVEDIALOG_OK_TIP;Shortcut: Ctrl-Enter
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Highlights
TP_SHADOWSHLIGHTS_HLTONALW;Highlights tonal width
TP_SHADOWSHLIGHTS_LABEL;Shadows/Highlights
TP_SHADOWSHLIGHTS_LOCALCONTR;Local contrast
TP_SHADOWSHLIGHTS_RADIUS;Radius
TP_SHADOWSHLIGHTS_SHADOWS;Shadows
TP_SHADOWSHLIGHTS_SHARPMASK;Sharp mask
TP_SHADOWSHLIGHTS_SHTONALW;Shadows tonal width
TP_SHARPENEDGE_AMOUNT;Quantity
TP_SHARPENEDGE_LABEL;Edges
TP_SHARPENEDGE_PASSES;Iterations
TP_SHARPENEDGE_THREE;Luminance only
TP_SHARPENING_AMOUNT;Amount
TP_SHARPENING_EDRADIUS;Radius
TP_SHARPENING_EDTOLERANCE;Edge tolerance
TP_SHARPENING_HALOCONTROL;Halo control
TP_SHARPENING_HCAMOUNT;Amount
TP_SHARPENING_LABEL;Sharpening
TP_SHARPENING_METHOD;Method
TP_SHARPENING_ONLYEDGES;Sharpen only edges
TP_SHARPENING_RADIUS;Radius
TP_SHARPENING_RLD;RL Deconvolution
TP_SHARPENING_RLD_AMOUNT;Amount
TP_SHARPENING_RLD_DAMPING;Damping
TP_SHARPENING_RLD_ITERATIONS;Iterations
TP_SHARPENING_THRESHOLD;Threshold
TP_SHARPENING_USM;Unsharp Mask
TP_SHARPENMICRO_AMOUNT;Quantity
TP_SHARPENMICRO_LABEL;Microcontrast
TP_SHARPENMICRO_MATRIX;3×3 matrix instead of 5×5
TP_SHARPENMICRO_UNIFORMITY;Uniformity
TP_TM_FATTAL_AMOUNT;Amount
TP_TM_FATTAL_ANCHOR;Anchor
TP_TM_FATTAL_LABEL;HDR Tone Mapping
TP_TM_FATTAL_THRESHOLD;Threshold
TP_VIBRANCE_AVOIDCOLORSHIFT;Avoid color shift
TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Skin-tones
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Red/Purple
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Red
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Red/Yellow
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Yellow
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Hue according to hue H=f(H)
TP_VIBRANCE_LABEL;Vibrance
TP_VIBRANCE_PASTELS;Pastel Tones
TP_VIBRANCE_PASTSATTOG;Link pastel and saturated tones
TP_VIBRANCE_PROTECTSKINS;Protect skin-tones
TP_VIBRANCE_PSTHRESHOLD;Pastel/saturated tones threshold
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Saturation threshold
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;The vertical axis represents pastel tones at the bottom and saturated tones at the top.\nThe horizontal axis represents the saturation range.
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Pastel/saturated transition's weighting
TP_VIBRANCE_SATURATED;Saturated Tones
TP_VIGNETTING_AMOUNT;Amount
TP_VIGNETTING_CENTER;Center
TP_VIGNETTING_CENTER_X;Center X
TP_VIGNETTING_CENTER_Y;Center Y
TP_VIGNETTING_LABEL;Vignetting Correction
TP_VIGNETTING_RADIUS;Radius
TP_VIGNETTING_STRENGTH;Strength
TP_WAVELET_1;Level 1
TP_WAVELET_2;Level 2
TP_WAVELET_3;Level 3
TP_WAVELET_4;Level 4
TP_WAVELET_5;Level 5
TP_WAVELET_6;Level 6
TP_WAVELET_7;Level 7
TP_WAVELET_8;Level 8
TP_WAVELET_9;Level 9
TP_WAVELET_APPLYTO;Apply To
TP_WAVELET_AVOID;Avoid color shift
TP_WAVELET_B0;Black
TP_WAVELET_B1;Grey
TP_WAVELET_B2;Residual
TP_WAVELET_BACKGROUND;Background
TP_WAVELET_BACUR;Curve
TP_WAVELET_BALANCE;Contrast balance d/v-h
TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
TP_WAVELET_BALCHRO;Chroma balance
TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
TP_WAVELET_BANONE;None
TP_WAVELET_BASLI;Slider
TP_WAVELET_BATYPE;Contrast balance method
TP_WAVELET_CBENAB;Toning and Color Balance
TP_WAVELET_CB_TOOLTIP;For strong values product color-toning by combining it or not with levels decomposition 'toning'\nFor low values you can change the white balance of the background (sky, ...) without changing that of the front plane, generally more contrasted
TP_WAVELET_CCURVE;Local contrast
TP_WAVELET_CH1;Whole chroma range
TP_WAVELET_CH2;Saturated/pastel
TP_WAVELET_CH3;Link contrast levels
TP_WAVELET_CHCU;Curve
TP_WAVELET_CHR;Chroma-contrast link strength
TP_WAVELET_CHRO;Saturated/pastel threshold
TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of "contrast levels" and "chroma-contrast link strength"
TP_WAVELET_CHSL;Sliders
TP_WAVELET_CHTYPE;Chrominance method
TP_WAVELET_COLORT;Opacity Red-Green
TP_WAVELET_COMPCONT;Contrast
TP_WAVELET_COMPGAMMA;Compression gamma
TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
TP_WAVELET_COMPTM;Tone mapping
TP_WAVELET_CONTEDIT;'After' contrast curve
TP_WAVELET_CONTR;Gamut
TP_WAVELET_CONTRA;Contrast
TP_WAVELET_CONTRAST_MINUS;Contrast -
TP_WAVELET_CONTRAST_PLUS;Contrast +
TP_WAVELET_CONTRA_TOOLTIP;Changes contrast of the residual image.
TP_WAVELET_CTYPE;Chrominance control
TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
TP_WAVELET_CURVEEDITOR_CL;L
TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast luminance curve at the end of the wavelet treatment.
TP_WAVELET_CURVEEDITOR_HH;HH
TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image's hue as a function of hue.
TP_WAVELET_DALL;All directions
TP_WAVELET_DAUB;Edge performance
TP_WAVELET_DAUB2;D2 - low
TP_WAVELET_DAUB4;D4 - standard
TP_WAVELET_DAUB6;D6 - standard plus
TP_WAVELET_DAUB10;D10 - medium
TP_WAVELET_DAUB14;D14 - high
TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the firsts levels. However the quality is not strictly related to this coefficient and can vary with images and uses.
TP_WAVELET_DONE;Vertical
TP_WAVELET_DTHR;Diagonal
TP_WAVELET_DTWO;Horizontal
TP_WAVELET_EDCU;Curve
TP_WAVELET_EDGCONT;Local contrast
TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, Top-Left, Top-Right, Bottom-right represent respectively local contast for low values, mean, mean+stdev, maxima
TP_WAVELET_EDGE;Edge Sharpness
TP_WAVELET_EDGEAMPLI;Base amplification
TP_WAVELET_EDGEDETECT;Gradient sensitivity
TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
TP_WAVELET_EDGEDETECTTHR2;Threshold high (detection)
TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This adjuster lets you target edge detection for example to avoid applying edge sharpness to fine details, such as noise in the sky.
TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
TP_WAVELET_EDGESENSI;Edge sensitivity
TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
TP_WAVELET_EDGTHRESH;Detail
TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centred on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
TP_WAVELET_EDRAD;Radius
TP_WAVELET_EDRAD_TOOLTIP;This radius adjustment is very different from those in other sharpening tools. Its value is compared to each level through a complex function. In this sense, a value of zero still has an effect.
TP_WAVELET_EDSL;Threshold Sliders
TP_WAVELET_EDTYPE;Local contrast method
TP_WAVELET_EDVAL;Strength
TP_WAVELET_FINAL;Final Touchup
TP_WAVELET_FINEST;Finest
TP_WAVELET_HIGHLIGHT;Highlight luminance range
TP_WAVELET_HS1;Whole luminance range
TP_WAVELET_HS2;Shadows/Highlights
TP_WAVELET_HUESKIN;Skin hue
TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the white balance is incorrect.
TP_WAVELET_HUESKY;Sky hue
TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the white balance is incorrect.
TP_WAVELET_ITER;Delta balance levels
TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
TP_WAVELET_LABEL;Wavelet Levels
TP_WAVELET_LARGEST;Coarsest
TP_WAVELET_LEVCH;Chroma
TP_WAVELET_LEVDIR_ALL;All levels in all directions
TP_WAVELET_LEVDIR_INF;Below or equal the level
TP_WAVELET_LEVDIR_ONE;One level
TP_WAVELET_LEVDIR_SUP;Above the level
TP_WAVELET_LEVELS;Wavelet levels
TP_WAVELET_LEVELS_TOOLTIP;Choose the number of detail levels the image is to be decomposed into. More levels require more RAM and require a longer processing time.
TP_WAVELET_LEVF;Contrast
TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
TP_WAVELET_LEVONE;Level 2
TP_WAVELET_LEVTHRE;Level 4
TP_WAVELET_LEVTWO;Level 3
TP_WAVELET_LEVZERO;Level 1
TP_WAVELET_LINKEDG;Link with Edge Sharpness' Strength
TP_WAVELET_LIPST;Enhanced algoritm
TP_WAVELET_LOWLIGHT;Shadow luminance range
TP_WAVELET_MEDGREINF;First level
TP_WAVELET_MEDI;Reduce artifacts in blue sky
TP_WAVELET_MEDILEV;Edge detection
TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
TP_WAVELET_NEUTRAL;Neutral
TP_WAVELET_NOIS;Denoise
TP_WAVELET_NOISE;Denoise and Refine
TP_WAVELET_NPHIGH;High
TP_WAVELET_NPLOW;Low
TP_WAVELET_NPNONE;None
TP_WAVELET_NPTYPE;Neighboring pixels
TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
TP_WAVELET_OPACITY;Opacity Blue-Yellow
TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
TP_WAVELET_OPACITYWL;Final local contrast
TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
TP_WAVELET_PASTEL;Pastel chroma
TP_WAVELET_PROC;Process
TP_WAVELET_RE1;Reinforced
TP_WAVELET_RE2;Unchanged
TP_WAVELET_RE3;Reduced
TP_WAVELET_RESCHRO;Chroma
TP_WAVELET_RESCON;Shadows
TP_WAVELET_RESCONH;Highlights
TP_WAVELET_RESID;Residual Image
TP_WAVELET_SAT;Saturated chroma
TP_WAVELET_SETTINGS;Wavelet Settings
TP_WAVELET_SKIN;Skin targetting/protection
TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
TP_WAVELET_SKY;Sky targetting/protection
TP_WAVELET_SKY_TOOLTIP;At -100 sky-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 sky-tones are protected while all other tones are affected.
TP_WAVELET_STREN;Strength
TP_WAVELET_STRENGTH;Strength
TP_WAVELET_SUPE;Extra
TP_WAVELET_THR;Shadows threshold
TP_WAVELET_THRESHOLD;Highlight levels
TP_WAVELET_THRESHOLD2;Shadow levels
TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels between 9 and 9 minus the value will be affected by the shadow luminance range. Other levels will be fully treated. The highest level possible is limited by the highlight level value (9 minus highlight level value).
TP_WAVELET_THRESHOLD_TOOLTIP;Only levels beyond the chosen value will be affected by the highlight luminance range. Other levels will be fully treated. The chosen value here limits the highest possible value of the shadow levels.
TP_WAVELET_THRH;Highlights threshold
TP_WAVELET_TILESBIG;Big tiles
TP_WAVELET_TILESFULL;Full image
TP_WAVELET_TILESIZE;Tiling method
TP_WAVELET_TILESLIT;Little tiles
TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
TP_WAVELET_TMSTRENGTH;Compression strength
TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image. When the value is different from 0, the Strength and Gamma sliders of the Tone Mapping tool in the Exposure tab will become grayed out.
TP_WAVELET_TMTYPE;Compression method
TP_WAVELET_TON;Toning
TP_WBALANCE_AUTO;Auto
TP_WBALANCE_CAMERA;Camera
TP_WBALANCE_CLOUDY;Cloudy
TP_WBALANCE_CUSTOM;Custom
TP_WBALANCE_DAYLIGHT;Daylight (sunny)
TP_WBALANCE_EQBLUERED;Blue/Red equalizer
TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of "white balance" by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.
TP_WBALANCE_FLASH55;Leica
TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
TP_WBALANCE_FLASH_HEADER;Flash
TP_WBALANCE_FLUO1;F1 - Daylight
TP_WBALANCE_FLUO2;F2 - Cool White
TP_WBALANCE_FLUO3;F3 - White
TP_WBALANCE_FLUO4;F4 - Warm White
TP_WBALANCE_FLUO5;F5 - Daylight
TP_WBALANCE_FLUO6;F6 - Lite White
TP_WBALANCE_FLUO7;F7 - D65 Daylight Simulator
TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
TP_WBALANCE_FLUO9;F9 - Cool White Deluxe
TP_WBALANCE_FLUO10;F10 - Philips TL85
TP_WBALANCE_FLUO11;F11 - Philips TL84
TP_WBALANCE_FLUO12;F12 - Philips TL83
TP_WBALANCE_FLUO_HEADER;Fluorescent
TP_WBALANCE_GREEN;Tint
TP_WBALANCE_GTI;GTI
TP_WBALANCE_HMI;HMI
TP_WBALANCE_JUDGEIII;JudgeIII
TP_WBALANCE_LABEL;White Balance
TP_WBALANCE_LAMP_HEADER;Lamp
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
TP_WBALANCE_LED_HEADER;LED
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
TP_WBALANCE_METHOD;Method
TP_WBALANCE_SHADE;Shade
TP_WBALANCE_SIZE;Size:
TP_WBALANCE_SOLUX35;Solux 3500K
TP_WBALANCE_SOLUX41;Solux 4100K
TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
TP_WBALANCE_SPOTWB;Spot WB
TP_WBALANCE_TEMPBIAS;AWB temperature bias
TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the "auto white balance"\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by "computedTemp + computedTemp * bias".
TP_WBALANCE_TEMPERATURE;Temperature
TP_WBALANCE_TUNGSTEN;Tungsten
TP_WBALANCE_WATER1;UnderWater 1
TP_WBALANCE_WATER2;UnderWater 2
TP_WBALANCE_WATER_HEADER;UnderWater
ZOOMPANEL_100;(100%)
ZOOMPANEL_NEWCROPWINDOW;Open (new) detail window
ZOOMPANEL_ZOOM100;Zoom to 100%\nShortcut: z
ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: f
ZOOMPANEL_ZOOMFITSCREEN;Fit whole image to screen\nShortcut: Alt-f
ZOOMPANEL_ZOOMIN;Zoom In\nShortcut: +
ZOOMPANEL_ZOOMOUT;Zoom Out\nShortcut: -